Mental health difficulties bring us face to face with our vulnerability as human beings, and after two years of struggling with the effects of Covid-19 concerns about mental health worldwide have never been higher. But our discussions are still fraught with issues of language and understanding. Are we all on a ‘spectrum’ of mental wellness? Is ‘well-being’ about ‘being well’ or about coping? Mental health problems can be frightening when we experience them ourselves, or see them in others. And despite all the talk, most of us find it hard to decide when or where to seek help. What is often missing from these discussions is the most valuable resource of all – the personal accounts of those with lived experience of mental health difficulties. Making Sense of Mental Health is centred on hours of in-depth interviews with adults coping with mental health issues. The author follows their journeys from the origin of their distress to their lowest moments to eventual recovery and a sense of moving on. These lived experiences show how in times of crisis people can move forward amidst the chaos, vulnerability and uncertainty brought on by mental health problems. There are no quick fixes or miracle cures to serious mental health issues. This book shows that ‘what works’ is whatever helps an individual make sense of what is happening to them. A problem entwined with the human condition, mental health difficulties can best be treated by understanding the experiences of those who have lived through them, and as a society by finding a way to ascribe meaning to the complex reality of mental health.

The volume consists of a collection of fifteen contributions to Political Theory, the focuses of which represent an interaction between different themes and perspectives. The collection brings together a series of philosophical, moral, political, psychological, medical, anthropological and mytho-symbolical issues, divided into three main sections. A first section concerns ethical, moral and jurisdictional constitutional issues of Political Theory, including contributions by Fabrizio Sciacca, Cassandra Basile, Andrea Germani and Paola Russo. A second section is devoted to the analysis of political myths and representations, including contributions by Giangiacomo Vale, Viviana Faschi, Giada Fiorese, Raffaella Sabra Palmisano, Alessandra Spano and Giuseppe d’Ambrosio. A third and final section focuses on the analysis of political dynamics specific to modernity, with contributions from Michele Lanna, Federica Rauso, Cornelia Stefan, Michele Olzi and Maria Rosaria Vitale.

One of the defining features of United States foreign policy since World War II has been the nation's special relationship with Israel. This informal alliance, rooted in shared values and culture, grew out of a moral obligation to promote Israel's survival in the aftermath of the Holocaust as US policymakers provided military aid, weapons, and political protection. In return, Israel served American interests through efforts to contain communism and terrorism in the region. Today, the US provides almost four billion dollars in military aid per year, which raises questions regarding interest and propriety: At what point does US support for Israel exceed the boundaries of the countries' unconventional relationship and become counterproductive to other national interests, including the pursuit of peace in the Middle East? Kenneth Kolander provides a vital new perspective on the US-Israel bond by focusing on Congress's role in developing and maintaining the special relationship during a crucial period. Previous studies have focused on the executive branch, but Kolander demonstrates that US-Israel relations did not follow a course preferred by successive presidential administrations, especially in the 1960s and 1970s. Instead, he illuminates how influential lobbyists, America's affinity for Israel and antipathy towards Arabs, and economic pressures influenced legislators and inspired congressional action in support of Israel. In doing so, he presents an essential investigation of the ways in which legislators exert influence in foreign policy and adds new depth to the historiography of an important dynamic in postwar world politics.

John Hervey Wheeler (1908–1978) was one of the civil rights movement's most influential leaders. In articulating a bold vision of regional prosperity grounded in full citizenship and economic power for African Americans, this banker, lawyer, and visionary would play a key role in the fight for racial and economic equality throughout North Carolina. Utilizing previously unexamined sources from the John Hervey Wheeler Collection at the Atlanta University Center Robert W. Woodruff Library, this biography explores the black freedom struggle through the life of North Carolina's most influential black power broker. After graduating from Morehouse College, Wheeler returned to Durham and began a decades-long career at Mechanics and Farmers (M&F) Bank. He started as a teller and rose to become bank president in 1952. In 1961, President Kennedy appointed Wheeler to the President's Committee on Equal Employment Opportunity, a position in which he championed equal rights for African Americans and worked with Vice President Johnson to draft civil rights legislation. One of the first blacks to attain a high position in the state's Democratic Party, Wheeler became the state party's treasurer in 1968, and then its financial director. Wheeler urged North Carolina's white financial advisors to steer the region toward the end of Jim Crow segregation for economic reasons. Straddling the line between confrontation and negotiation, Wheeler pushed for increased economic opportunity for African Americans while reminding the white South that its future was linked to the plight of black southerners.

How many lives can one man save? Never enough, Horton realized. As his ship backed away from Smyrna’s wharf, he could better see the helpless, teeming crowd on the waterfront trapped between the sea and a raging inferno. He was not consoled by rescuing his shipload of refugees, nor by the many other Christian, Jewish, and Muslim lives he had saved during his service as American consul. His focus was on the people before him threatened with fire, rape, and massacre. Their persecution, he later said, made him ashamed he “belonged to the human race.” Helping them would not be easy, however. His superiors were blocking humanitarian aid and covering up atrocities with fake news and disinformation to win Turkish approval for American access to oil. When Horton decried their duplicity and hard-heartedness, they conspired to destroy his reputation. Undaunted, Horton pursued his cause until it went to the President and then Congress for decisions that would set the course for America’s emergence as a world power. At stake was the outcome of WWI, the stability and liberality of the Middle East, and the likelihood of more genocide.

Cultural differences are often the trigger for conflict – whether politically motivated or arising from dissonant understandings of national culture. But what we regard as distinctive today in our cultural heritage or day-to-day cultural experience is deeply rooted in the rich diversity of the national currents of the nineteenth century. Culture and Conflict: Nation-Building in Denmark and Scandinavia, 1800–1930 explores the many strands of Danish and Scandinavian culture that helped to shape these cultural identities. The sixteen contributions in this volume analyse how competing national agendas influenced the development of political life as well as literature, the visual arts, and music. A central theme is the cultural conflicts that formed an essential part of nineteenth-century nation-building. Culturally as well as politically, boundaries were drawn up, ideologies were formulated and discussed, and determined attempts were made to suppress divergent cultural voices in the drive to forge strong national or Scandinavian narratives. The results of these conflicts were the enduring cultural struggles that form the subject of this volume. The contributions at hand, by scholars from Denmark, Britain, Norway, the United States, and Germany, bring a broad and interdisciplinary perspective to bear on these distinctively Nordic themes. Aimed both at students and at established scholars, the chapters discuss the many facets of nationalism, its cultures, and its countercultures, as well as revisiting the historiography of the 1800–1930 period with a more pluralistic approach.

#NiUnaMenos#Aufschrei#LoSHA Before #MeToo became the massive global movement we know today, these were the hashtags that represented mobilisations from Ukraine to Latin America that demanded accountability for the intersecting experiences of sexual violence and racism, xenophobia, and misogyny inflicted on women, transgender people, and girls. Lead by activists such as Tarana Burke, who coined the phrase "me too," the movement provided a call to action for survivors across the world to speak out about their experiences. In #MeToo and Beyond, M. Cristina Alcalde and Paula-Irene Villa bring together scholars and activists from various backgrounds to approach #MeToo from multiple spaces, positionalities, and areas of expertise, many from regions and contexts often overlooked and understudied in the mediascapes of the Global North. This volume includes perspectives from around the world and covers research spanning masculinity, to trans issues, to Jewish communities. The editors and contributors heed Tarana Burke's call to center marginalised voices and experiences so that instead of becoming a footnote, these experiences guide activists to frame polyphony as central to understanding past, current, and future forms of gendered violence and resistance. The goal of #MeToo and Beyond is to examine both the profoundly universal and familiar experiences of sexual violence, and the specificity of these forms of violence and mobilisation against them across place, space, and experiences of participants. Activists and scholars will find this an important and necessary contribution to current and future discussions on sexual violence and global movements.

More than 2.7 million post-9/11 veterans served in Iraq and Afghanistan. Their homecomings didn't include parades or national celebrations, but civilians regard them with reverence and pride. Veterans' benefits are comprehensive. The phrase "thank you for your service" is ubiquitous. Yet, one in ten post-9/11 veterans struggle with substance abuse. Fifteen to twenty veterans die by suicide every day, with 18-34-year-olds dying at the highest rates. These veterans carry intractable mental and physical wounds, leading advocates to focus on concepts like moral injury and collective belonging. In War and Homecoming: Veteran Identity and the Post-9/11 Generation, Travis Martin, a scholar, teacher, and former veteran himself, argues that post-9/11 veterans struggle with homecoming because of decades of stereotyping and a lack of healthy models of veteran identity. In the American unconscious, veterans are the superficially praised ‘hero’, the victimised ‘wounded warrior’, forever defined by past accomplishments. They are appropriated as symbols in competing narratives of national identity. War and Homecoming explores past and current stereotypes often found in patriotic rhetoric, popular media, literature, and veterans' lives. Luckily, a third type of post-9/11 veteran has emerged, the veteran ‘storyteller’ who recognises stereotypes, claims their symbolic authority, and defines who they are through literature, art, and service. This identity allows for continued growth, and these ‘storytellers’ provide examples of identity rooted in agency, individuality, and resilience for other veterans to model. New creative communities, service organisations, and the growing academic field of Veterans Studies suggest post-9/11 veterans are redefining what it means to be a veteran.

What do we mean when we say "the people"? In a Nordic context, the word "people" was historically associated not with members of a sovereign nation but of a household, church, or state. The term remains a battlefield of mixed or even opposing interests and has developed at least three different meanings: a political unit, a cultural entity, and a social multitude. Modern historian Ove Korsgaard focuses on the crucial struggles over who has (or has not) belonged to the people over the past 175 years, and elucidates their implications for state and nation building in Denmark and other Nordic countries.

Devised by choreographer Liz Lerman in 1990, Critical Response Process® (CRP) is an internationally recognized method for giving and getting feedback on creative works in progress. In this first in-depth study of CRP, Lerman and her long-term collaborator John Borstel describe in detail the four-step process, its origins and principles. The book also includes essays on CRP from a wide range of contributors. With insight, ingenuity, and the occasional challenge, these practitioners shed light on the applications and variations of CRP in the contexts of art, education, and community life. Critique Is Creative examines the challenges we face in an era of reckoning and how CRP can aid in change-making of various kinds.

A study of the life and background of ʿAbd al-Qādir al-Jīlānī, putative founder of the Qādiriyya order, investigating the sources for his life and attributed works. The book seeks to elucidate the ideas of al-Jīlānī, and to formulate a picture of the most prominent trends of pious and mystical thought in Baghdad during the twelfth century, providing a cultural and geographical angle to the study of Islamic mysticism and piety.

Powerful narratives often describe Latin American nations as fundamentally mestizo. These narratives have hampered the acknowledgement of racism in the region, but recent multiculturalist reforms have increased recognition of Black and Indigenous identities and cultures. Multiculturalism may focus on identity and visibility and address more casual and social forms of racism, but can also distract attention from structural racism and racialized inequality, and constrain larger anti-racist initiatives. Additionally, multiple understandings of how racism and anti-racism fit into projects of social transformation make racism a complex and multi-faceted issue. The essays in Against Racism examine actors in Brazil, Colombia, Ecuador, and Mexico that move beyond recognition politics to address structural inequalities and material conflicts and build common ground with other marginalized groups. The organizations in this study advocate an approach to deep social structural transformation that is inclusive, fosters alliances, and is inspired by a radical imagination. "By approaching race through anti-racism, this exemplar of teamwork in social research charts a major innovation in thinking about race in Latin America and beyond. Interweaving themes, cases, and countries, race appears in social activism even when it is not named, and even when it is named it may not be the only factor building support and strategy." --David Lehmann, author of The Prism of Race: the Ideology and Politics of Affirmative Action in Brazil "This far-ranging volume, the product of a deep and expansive collaboration among scholars based in Latin America and the global North, with different racial identifications, and belonging to different generations . . . forces us to confront complex questions with no easy answers and will have a significant impact on how race, racism, and anti-racist movements are studied, not only in Latin America but also in other parts of the world." --Joanne Rappaport, Georgetown University "With great prescience and precision, this book captures the emerging moment in Latin America, when multifaceted anti-racist organizing has come to the fore. The project's ambitious scope and collective character--four countries, more than a dozen researchers--uncovers a central analytical challenge, which opens onto the book's central contribution. . . . The authors offer a salutary reminder of the topic's immense complexity, yet always guided by the drive to imagine and work toward societies--to evoke Stuart Hall's memorable phrase--no longer structured in racial dominance." --Charles R. Hale, University of California, Santa Barbara

The harvesting of wild American ginseng (panax quinquefolium), the gnarled, aromatic herb known for its therapeutic and healing properties, is deeply rooted in North America, but nowhere has it played a more important role than in the southern and central Appalachian Mountains. Made possible by a trans-Pacific trade network that connected the region to East Asian markets, ginseng was but one of several medicinal Appalachian plants that entered international webs of exchange. As the production of patent medicines and botanical pharmaceutical products escalated in the mid- to late-nineteenth century, southern Appalachia emerged as the United States' most prolific supplier of many species of medicinal plants. The region achieved this distinction due to both its biodiversity and the persistence of certain common rights that guaranteed widespread access to the forested mountainsides, regardless of who owned the land. Following the Civil War, root digging and herb gathering became one of the most important ways landless and smallholding families earned income from the forest commons. This boom influenced class relations, gender roles, forest use, and outside perceptions of Appalachia, and it began a widespread renegotiation of common rights that eventually curtailed access to some plants such as ginseng.Based on extensive research into the business records of mountain entrepreneurs, country stores, and pharmaceutical companies, Ginseng Diggers: A History of Root and Herb Gathering in Appalachia is the first book to unearth the unique relationship between the Appalachian region and the global trade in medicinal plants. Historian Luke Manget expands our understanding of the gathering commons by exploring how and why Appalachia became the nation's premier purveyor of botanical drugs in the late nineteenth century and how the trade influenced the way human residents of the region interacted with each other and with the forests around them.

Teaching Black: The Craft of Teaching Black Life and Literature presents the experiences and voices of Black creative writers who are also teachers. The authors presented here write and teach across a variety of genres and at numerous intersections, including writers of poetry, fiction, experimental fiction, playwriting, and also from creative writers who are engaged in literary studies and criticism. Contributors from this book provide practical advice, engage with historical and theoretical questions about teaching in classrooms, workshops, and community settings. Teaching Black is for teachers and students of literature and craft in high schools, colleges, community settings, and workshops. This book is an invaluable tool for teachers, practitioners, presses, organizational leaders, and change agents who are interested in providing access to, and incorporating Black literature and conversations on Black literary craft into their own work.

Long before scientists at the Roslin Institute in Scotland cloned Dolly the sheep in 1996, American developmental biologist and aspiring cancer researcher Robert Briggs successfully performed the technique of nuclear transplantation by cloning frog nuclei in 1952. Although the history of cloning is often associated with contemporary ethical controversies, The Forgotten Clones revisits the influential work of scientists like Briggs, Thomas King, and Marie DiBerardino, before the possibility of human cloning and its ethical implications first registered as a concern in public consciousness, and when many thought the very idea of cloning was experimentally impossible. By focusing instead on new laboratory techniques and practices and their place in Anglo-American science and society in the mid-twentieth century, Nathan Crowe demonstrates how embryos constructed in the lab were only later reconstructed as ethical problems. His book illuminates the importance of the early history of cloning for the biosciences and their institutional, disciplinary, and intellectual contexts, as well as the changing relationship between science and society after the Second World War.

An Empty Room is a transformative journey through butoh, an avant-garde form of performance art that originated in Japan in the late 1950's and is now a global phenomenon. This is the first book about butoh authored by a scholar-practitioner who combines personal experience with ethnographic and historical accounts alongside over twenty photos. Author Michael Sakamoto traverses butoh dance history from its roots in post-World War II Japan to its diaspora in the West in the 1970s and 1980s. An Empty Room delves into the archive of butoh dance, gathering testimony from multiple generations of artists active in Japan, the US, and Europe. The book also creatively highlights seminal visual and written texts, especially Hosoe Eikoh's photo essay, "Kamaitachi," and Hijikata Tatsumi's early essays. Sakamoto ultimately fashions an original view of what butoh has been, is and, more importantly, can be through the lens of literary criticism, photo studies, folklore, political theory, and his experience performing, photographing, teaching, and lecturing in 15 countries worldwide.