This book shows how analysis of Scandinavian-influenced place-names in their landscape contexts can provide crucial new evidence of differing processes of Viking migration and settlement in East Anglia between the late ninth and eleventh centuries.The place-names of East Anglia have until now received little attention in the academic study of Viking settlement. Similarly, the question of a possible migration of settlers from Scandinavia during the Viking period was for many years dismissed by historians and archaeologists – until the recent discovery by metal-detectorists of abundant Scandinavian metalwork and jewellery in many parts of East Anglia. David Boulton has synthesised these two previously neglected elements to offer new insights into the processes of Viking settlement.This book provides the first comprehensive analysis of Scandinavian-influenced place-names in East Anglia. It examines their different categories linguistically and explores the landscape and archaeological contexts of the settlements associated with them, with the aid of GIS-generated maps. Dr Boulton shows how the process of Viking settlement was influenced by changes in rural society and agriculture which were then already occurring in East Anglia, such as the late Anglo-Saxon expansion of arable farming and the associated recolonisation of the inland clay plateau. These developments resulted in patterns of place-name formation which differ significantly from some of the previously accepted, orthodox interpretations of how Scandinavian-influenced place-names (especially those containing the bý and thorp elements, and the ‘Grimston-hybrids’) came into being in the Danelaw.In view of these discrepancies, David Boulton proposes an innovative, hypothetical model for the formation of the Scandinavian-influenced place-names in East Anglia, which explores differing patterns and phases of Viking settlement in the region and the possible pathways of migration that preceded them.

This book provides a comprehensive guide with detailed explanations, illustrations and photographs of late-7th century to 11th century Anglo-Saxon Churches and stone sculpture. It is divided into four parts.The first part includes an extensive glossary explaining the terms likely to be encountered, it explains Celtic and Roman Church practices and the Synod of Whitby, how Anglo-Saxon churches were established and their plans, and also provides a summary to the settlements of the Anglo-Saxons, Vikings and Hiberno-Norse in England. The second part provides a comprehensive description of the construction and architectural features of extant Anglo-Saxon Churches including their walling, plinths and quoining, archways, doorways, windows and belfry-openings of whatever shape or format or wherever their location. It also explains features such as string-courses, pilaster-strips, pilaster-buttresses, hood-moulding and strip-work. Also included are extant Anglo-Saxon stairways and crypts. Explanations are included on porticus, galleries, the use of rooms in towers, roofs, church seating and other furnishing, balusters and baluster-shafts.The third part provides a comprehensive description of Anglo-Saxon and Anglo-Scandinavian Decoration on stonework. It details all the designs and patterns involved including those which also have scenes depicting creatures, beasts, birds, serpents and humans, figures, and scenes from Christianity and Norse Mythology. It explains and provides examples of the stonework on which these designs and patterns appear namely standing crosses, cross-heads, cross-shafts and cross-bases; grave-markers, grave-covers, grave-slabs and grave-memorials and crosses; sarcophagi and shrine chests; wall friezes and wall panels; fonts; and sundials. The fourth part provides an alphabetical list of 183 recommended churches and museums with summarised information on their individual architectural features, and/or stone sculpture. Many of the churches are further expanded in detail in the text in the second and third parts. Also provided is a page and photographic index of all the churches and museums where they are referred to in the text. All the places referred to in the text have been personally visited by the author.

Old Norse literature abounds with descriptions of magic acts that allow ritual specialists of various kinds to manipulate the world around them, see into the future or the distant past, change weather conditions, influence the outcomes of battles, and more. While magic practitioners are known under myriad terms, the most iconic of them is the völva. As the central figure of the famous mythological poem Völuspá (The Prophecy of the Völva), the völva commands both respect and fear. In non-mythological texts similar women are portrayed as crucial albeit somewhat peculiar members of society. Always veiled in mystery, the völur and their kind have captured the academic and popular imagination for centuries. Bringing together scholars from various disciplinary backgrounds, this volume provides new insights into the reality of magic and its agents in the Viking world, beyond the pages of medieval texts. It explores new trajectories for the study of past mentalities, beliefs, and rituals as well as the tools employed in these practices and the individuals who wielded them. In doing so, the volume engages with several topical issues of Viking Age research, including the complex entanglements of mind and materiality, the cultural attitudes to animals and the natural world, and the cultural constructions of gender and sexuality. By addressing these complex themes, it offers a nuanced image of the völva and related magic workers in their cultural context. It will appeal to a broad, diverse, and international audience, including experts in the field of Viking and Old Norse studies but also various non-professional history enthusiasts. The Norse Sorceress: Mind and Materiality in the Viking World is a key output of the project Tanken bag Tingene (Thoughts behind Things) conducted at the National Museum of Denmark from 2020 to 2023 and funded by the Krogager Foundation.

Sublime calligraphy, marvellous art, and amazing initials, have charmed and captivated the audience of the Book of Kells for over twelve hundred years. This remarkable illuminated Gospel book attracts the attention of scholars as well as those more generally interested in the fabulous artefacts of the past.Everybody knows it was made by an extensive team of scribes and artists. Donncha MacGabhann knew that too. However, he was certain that a thorough examination could clearly identify the various contributions of its creators.His life and work as an artist and teacher inspired the belief that a close visual study could solve some of its enduring puzzles. The deeper he delved, the more he was convinced that Kells is entirely the work of two individuals. This evolved into a novel paradigm through which he came to know and understand the manuscript. Following years of meticulous research, this book tells the story of Kells’ two Masters and their collaboration to create a Gospel book of unprecedented magnificence. Most poignantly, it reveals the struggle of the lone survivor of the two-man team to attempt the completion of their magnum opus.The most important outcomes of this book go far beyond the simple attribution of work to different hands. Much more significantly, it affords insights into the imagination which inspired its creators, especially the unique vision of Kells’ great Scribe-Artist. Collectively, these new perspectives reveal a previously unknown ‘Book of Kells,’ one which, as it were, has remained hidden in plain sight.Challenging long-held theories is no small matter, and in doing so this radical study attempts to be comprehensive. The abundance of evidence may at times seem extravagant in its detail, for both specialists and non-specialists. The reader is therefore encouraged to find their own path in exploring The Book of Kells – A Masterwork Revealed: Creators, Collaboration, and Campaigns.

In the early Middle Ages, a network of maritime trading towns – emporia – emerged along the northern coasts of Europe. These early urban sites are among archaeology’s most notable contributions to our knowledge of the period between the disintegration of the Western Roman Empire and the growth of a maritime-oriented world in the Viking Age. Ribe, on the western coast of Denmark, is one of these sites. In 2017-18 the Northern Emporium research project conducted seminal research excavations, which provided new foundations for the study of this nodal point between Western Europe, Scandinavia, and the world beyond. This first volume presents the results of these excavations and analyses to piece together the history of the emporium and its social fabric. The research employs novel, high-definition methods to explore the networks of the site, integrating an extensive use of geoarchaeology and 3D stratigraphic recording with intensive environmental sampling and artefact recovery, resulting in more than 100,000 artefact finds. The results transform our understanding of key points of the early history of the North Sea region. Through the remains of dwellings and workshops – the traces left by traders, sailors, weavers, tailors, comb makers, and skilled producers of glass beads and metal ornaments – we follow the creation of Viking Age social networks, along with some of the most iconic artistic products of this world and the daily lives of some of its notable inhabitants.

An equestrian burial from the 10th century with an exceptionally elaborate horse harness was discovered at Fregerslev near Skanderborg in eastern Jutland, Denmark in 2012. This formed the starting point for the Fregerslev Research Project initiated by Museum Skanderborg in 2017. Two years later, the museum held a conference to present the preliminary results of the project. A group of researchers from neighbouring countries were invited to provide a wider international context for a discussion of the social, political, cultural and religious background of the Fregerslev burial. With 21 articles, Horse and Rider in the late Viking Age presents the outcome of the conference. Part I describes the excavation of the Fregerslev burial and its contents. The finds, particularly the harness fittings and the remains of a quiver of arrows, and the results of a wide range of scientific analyses demonstrate what a remarkable burial this once was. The excavation methods and documentation procedures, the sampling strategies, and the following conservation and preservation of the finds, give an idea of the many new approaches, which may be useful when dealing with a decomposed grave in the future. Part II and Part III present new research on 10th-century equestrian burials and their significance in contemporary society from a variety of countries across Central and Northern Europe.

Before the Military Revolution examines European Warfare in the Late Middle Ages from 1300 to 1490. It is not restricted only to well-covered conflicts, like the Anglo-Scottish Wars or the Hundred Years War, but gives due weight to all regions of Europe, including the Empire, the Baltic, the Balkans and the Mediterranean, and considers developments in naval warfare. The Hussite Wars and the wars of the Teutonic Order and the Hanseatic League are covered, as is the expansion of Moscow, the Ottomans and Venice, and battles likeAussig (1426), Copenhagen (1428), Chojnice (1454) are discussed alongside Bannockburn and Agincourt. This age witnesses fundamental change. The feudal system of the High Middle Ages crumbled everywhere in Europe due to climatic change, economic crisis and population decline. This triggered a fiscalisation of the military organisation, the establishment of taxes and representation of the estates. This book argues that these changes are the most fundamental ones in the military and political organisation in Europe until the rise of the constitutional state around 1800 and so comes closer to the original concept of a Military Revolution. It also takes a critical look at other often discussed developments of this age, like the Infantry and Artillery Revolution or the decline of cavalry. Combining a chronological and regional narrative with deeper analysis of themes like chivalry, strategy, economic warfare or military publications makes this book an indispensable read for everyone interested in late medieval history.

The Viking Age (c. 750-1050 AD) is conventionally seen as a tumultuous time when hordes of fierce warriors from Scandinavia wreaked havoc across the European continent and when Norse merchants travelled to distant corners of the world in pursuit of slaves, silver, and exotic commodities. Until relatively recently, archaeologists and textual scholars had the tendency to weave a largely male-dominated image of this pivotal period in world history, dismissing or substantially downplaying women's roles in Norse society. Today, however, there is ample evidence to suggest that many of the most spectacular achievements of Viking Age Scandinavians - for instance in craftsmanship, exploration, cross-cultural trade, warfare and other spheres of life - would not have been possible without the active involvement of women. Extant textual sources as well as the perpetually expanding corpus of archaeological evidence thus demonstrate unequivocally that both within the walls of the household and in the wider public arena women’s voices were heard, respected and followed. This pioneering and beautifully illustrated monograph provides an in-depth exploration of women's associations with the martial sphere of life in the Viking Age. The multifarious motivations and circumstances that led women to engage in armed conflict or other activities whereby weapons served as potent symbols of prestige and empowerment are illuminated and interpreted through an interdisciplinary approach to medieval literature and archaeological evidence from Scandinavia and the wider Viking world. Additional cross-cultural excursions into the lives and legends of female warriors in other past and present cultural milieus - from the Asiatic steppes to the savannas of Africa and European battlefields – lead to a nuanced understanding of the idea of the armed woman and its embodiments in Norse literature, myth and archaeological reality.

The Brough of Birsay was the power-centre of the Viking earldom of Orkney and is one of Historic Environment Scotland’s key monuments and visitor attractions on the islands. This publication is the culmination of 60 years of investigations that took place on the site between 1954 and 2014.This new volume incorporates comprehensive accounts of work undertaken by Dr Ralegh Radford and Mr Stewart Cruden between 1954 and 1964, excavations by the Viking and Early Settlement Research Project under the direction of the author on site between 1974 and 1981, a rescue excavation in 1993, a geophysical survey in 2007 and archival research up to 2014. Specialist artefactual and palaeobiological studies of metallurgical material, ogham inscriptions and a gilt-bronze mount of Insular origin are included, together with re-analysis of the radiocarbon dates from all sites in Birsay Bay, and a re-assessment of the architecture and dating of the church and related buildings on the Brough itself.The final two chapters put the Brough, as both a Pictish power-centre and the hub of the Viking earldom, in the overall context of Birsay Bay and Viking and late Norse Orkney, and the wider world between the Pictish and late Norse/Medieval periods.As well as being the author’s third and final volume reporting on work for the Birsay Bay Project, this volume completes a trilogy of studies of the Brough itself, alongside Mrs Cecil Curle’s and Prof John Hunter’s earlier monographs.

The study of Old Norse religion is a truly multidisciplinary and international field of research. The rituals, myths, and narratives of pre-Christian Scandinavia have been studied and interpreted in detail by a vast number of scholars. They have long relied on the rich and varied Christian Icelandic literature from the Middle Ages, but a growing body of material culture from pagan Scandinavia has recently started to have an impact on current research. In Tracing Old Norse Cosmology, Anders Andrén argues that the fundamental ideas of an ordered universe and notions of time and space in Old Norse religion can be studied in a dialogue between archaeology and the Icelandic narrative tradition. Ideas about the world tree, middle earth, and the sun can be traced in images and material culture from different parts of Scandinavian prehistory. By combining these prehistoric representations with the later written record, Andrén offers a long view on Old Norse cosmology, including the periods of fundamental change. This fascinating and nuanced study is essential reading for all researchers in the fieldarchaeologists, art historians, and scholars of literature and religionas well as anyone with an interest in Old Norse history.

The study of early medieval towns has frequently concentrated on urban beginnings, the search for broadly applicable definitions of urban characteristics and the chronological development of towns. Far less attention has been paid to the experience of living in towns.The thirteen chapters in this book bring together the current state of knowledge about Viking-Age towns (c. 800–1100) from both sides of the Irish Sea, focusing on everyday life in and around these emerging settlements. What was it really like to grow up, live, and die in these towns? What did people eat, what did they wear, and how did they make a living for themselves? Although historical sources are addressed, the emphasis of the volume is overwhelmingly archaeological, paying homage to the wealth of new material that has become available since the advent of urban archaeology in the 1960s.

The Viking Congresses bring together scholars of archaeology, philology, history, toponymy, numismatics and a number of other disciplines to discuss the Viking Age from a variety of viewpoints. This volume contains 44 peer-reviewed papers selected from those presented at the 18th Viking Congress held in Denmark in August 2017. The contributors take up the interdisciplinary challenge, and the papers cover a wide range of subjects, rooted in the past, but also connecting to the present.

Exploring Celtic Origins is the fruit of collaborative work by researchers in archaeology, historical linguistics, and archaeogenetics over the past ten years. This team works towards the goal of a better understanding of the background in the Bronze Age and Beaker Period of the people who emerge as Celts and speakers of Celtic languages documented in the Iron Age and later times. Led by Sir Barry Cunliffe and John Koch, the contributors present multidisciplinary chapters in a lively user-friendly style, aimed at accessibility for workers in the other fields, as well as general readers. The collection stands as a pause to reflect on ways forward at the moment of intellectual history when the genome-wide sequencing of ancient DNA (a.k.a. ‘the archaeogenetic revolution’) has suddenly changed everything in the study of later European prehistory. How do we deal with what appears to be an irreversible breach in the barrier between science and the humanities? Exploring Celtic Origins includes colour maps and illustrations and annotated Further Reading for all chapters.

This book is intended to pull together our current knowledge of the ‘lost’ group of people called the Pecsaetna (literally, meaning the ‘Peak Sitters’) by synthesising more recent historical and archaeological research towards a better understanding of their activities, territory and identity. This group of people is shrouded in the mists of the so-called ‘Dark Ages’ and are only known to us by the chance survival of less than a handful of documents.Since the mid-20th century, valuable work has been done to identify former Anglo-Saxon estates in the Peak from the analysis of charters and from the Domesday survey, together with recent wider historical analysis. In addition, some have also attempted reconstructions of geographical territories from the Tribal Hidage, the document, which first mentions the Pecsaetna. To this historical analysis can be added further archaeological evidence which ranges from Anglo-Saxon barrow investigation in the limestone Peak District, to studies into the geographical distributions of free-standing stone monuments of the Anglo-Saxon and Anglo-Scandinavian periods. It is this latter study that has prompted the writer to attempt this study.

Crafts and Social Networks in Viking Towns explores the interface between craft, communication networks, and urbanisation in Viking-Age northern Europe. Viking-period towns were the hubs of cross-cultural communication of their age, and innovations in specialised crafts provide archaeologists with some of the best evidence for studying this communication. The integrated results presented in these papers have been made possible through the sustained collaboration of a group of experts with complementary insights into individual crafts. Results emerge from recent scholarly advances in the study of artefacts and production: first, the application of new analytical techniques (e.g. metallographic, isotopic, and biomolecular techniques) and second, the shift in interpretative focus from a concern with object function to considerations of processes of production, and of the social agency of technology. Furthermore, the introduction of social network theory and actor-network theory has redirected attention toward the process of communication, and highlighted the significance of material culture in the learning and transmission of cultural knowledge, including technology. The volume brings together leading UK and Scandinavian archaeological specialists to explore crafted products and workshop-assemblages from Viking towns, in order to clarify how such long-range communication worked in pre-modern northern Europe. Contributors assess the implications for our understanding of early towns and the long-term societal change catalysed by them, including the initial steps towards commercial economies. Results are analysed in relation to social network theory, social and economic history, and models of communication, setting an agenda for further research. The volume provides a landmark statement on our knowledge of Viking-Age craft and communication.

This volume combines a comprehensive exploration of all vessel glass from middle and late Anglo-Saxon England and a review of the early glass with detailed interpretation of its meaning and place in Anglo-Saxon society. Analysis of a comprehensive dataset of all known Anglo-Saxon vessel glass of middle Anglo-Saxon date as a group has enabled the first quantification of form, colour, and decoration, and provided the structure for a new typological, chronological and geographical framework. The quantification and comparison of the vessel glass fragments and their attributes, and the mapping of the national distribution of these characteristics (forms, colours and decoration types), both represent significant developments and create rich opportunities for the future. The geographical scope is dictated by the glass fragments, which are from settlements located along the coast from Northumbria to Kent and along the south coast to Southampton. Seven case studies of intra-site glass distribution reveal that the anticipated pattern of peripheral disposal alongside dining waste is widespread, although exceptions exist at the monastic sites at Lyminge, Kent, and Jarrow, Tyne and Wear. Overall, the research themes addressed are the glass corpus and its typology; glass vessels in Anglo-Saxon society; and glass vessels as an economic indicator of trade and exchange. Analysis reveals new understandings of both the glass itself and the role of glass vessels in the social and economic mechanisms of early medieval England. There is currently no comprehensive work examining early medieval vessel glass, particularly the post sixth-century fragmentary material from settlements, and my monograph will fill that gap. The space is particularly noticeable when considering books on archaeological glass from England: the early medieval period is the only one with no reference volume; no recent, through and accessible source of information. The British Museum published a monograph entitled ‘Catalogue of Anglo-Saxon Glass in the British Museum’ in 2008, but as the title suggests it is a catalogue at heart, and of a collection of fifth and sixth century grave goods in a single museum. Chronologically, a volume on the subject would fill the space between various books on Roman glass from Britain and ‘Medieval glass vessels found in England c. AD 1200-1500’ by Rachel Tyson. This book on early medieval vessel glass and the contexts from which it came will also make a significant contribution to early medieval settlement studies and the archaeology of trade in this period: both are growth areas of scholarship and interest and vessel glass provides a new tool to address key debates in the field.