"Affrilachia," a term first coined in 1991 by Kentucky poet Frank X Walker, refers to the cultural contributions of African Americans who live in Appalachia, a largely mountainous region stretching over thirteen states from Mississippi to New York. Although Black Americans have greatly influenced the popular culture landscape in this region, their stories, trials, and triumphs are often undocumented because Appalachia is perceived as wholly white.In this stunning visual history, photographer and curator Chris Aluka Berry gives voice to the broad spectrum of African Americans who have lived in the Appalachian region over the centuries. Berry, who spent six years in western North Carolina, northeast Georgia, and eastern Tennessee, immersed himself in the communities and lives of Black Appalachians to present the diversity and commonalities of the proud people in the region. His intimate and revealing photographs capture Arican Americans in various settings—churches, homes, revival services, family gatherings, and homegoing celebrations.Completing this comprehensive collection are powerful narratives from the people who inhabit these places, and contributions from Appalachian writers Kelly Navies and Maia Surdam, whose poignant and powerful poems and essays offer historical perspective and broaden the book's archival importance.The first book of its kind, Affrilachia: Testimonies is an inspired historical artifact that honors, represents, and celebrates the proud people of color whose history and existence has greatly contributed to the broad tapestry of Appalachia.

The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.

On Christmas Eve in 1859, sixty-five prominent armed white men rode into the small Kentucky town of Berea and forced the townspeople to close its integrated one-room schoolhouse. The mob perceived the school as a threat to white supremacy and the racial order. Abolitionist John Gregg Fee established the school for the expressed purpose of providing education to anyone eager to learn, regardless of their race—a notion that horrified those convinced of the sanctity of white supremacy. The mob succeeded in evicting thirty-six community members, including Fee's family, but Fee and the others returned to Berea in 1864 and reestablished the school as Berea College—an institution committed to providing education to Appalachia's most vulnerable populations. In Lessons from the Foothills, Gretchen Dykstra profiles modern Berea College, considered the moral compass of the commonwealth, and its rich and beloved history. This book is the first to focus solely on the principles and practices that guide the college: the eight Great Commitments, which individually and holistically provide clear aspirations for the college and its community. Like the institution itself, Dykstra's portrait is structured around these principles; each chapter functions as a deep dive into the history, practice, and significance of each Great Commitment, from providing opportunity for the most marginalized, to its high academic standards, to its commitment to the entire region. One of the Great Commitments states that the college will "provide an educational opportunity for students of all races, primarily from Appalachia, who have great promise and limited economic resources." The college has fulfilled this commitment by eliminating tuition—one of the primary barriers between people living below the poverty line and a college education—and providing jobs for students to assist with living expenses. Including interviews with a range of members from the Berea community, alumni, students, faculty, and staff, Lessons from the Foothills is an engaging and illuminating profile of a unique and historic institution and its enduring commitment to nurture and support academic excellence and service among its students.

Louis "Pete" Rogers Browning, the original "Louisville Slugger" for whom the famous baseball bat was named, was one of the greatest baseball players of the nineteenth century. Yet his prowess and talent were often overshadowed by his drunken exploits and endless eccentricities—on and off the field. Over his thirteen-year career he won three batting titles, finished in the top three nine times, and was one of the greatest hitters of the premodern era. To this day, his.341 lifetime batting average remains in the MLB's top five for right-handed hitters. He acquired other nicknames such as the Gladiator and Prince of Bourbon, and when Browning was "stolen" from Louisville by Pittsburgh recruiters, the team became known as the Pittsburgh Pirates. He attributed his great abilities to many quirky and colorful habits. He drank tabasco sauce and washed his eyes with buttermilk, claiming that both improved his ability to hit. He named his bats after biblical characters and meticulously took care of them until they exhausted the number of hits he believed each possessed. Browning bolstered his wild claims with entertaining storytelling and unconventional behavior, such as standing on one foot in the field and refusing to slide to base. The newspapers reported on and embellished Browning's own idiosyncrasies, making him a legend.Tim Newby addresses the myths surrounding the larger-than-life figure, uncovers the thin line between fact and fiction, and presents an extensive account of Browning—the man, and the record-setting ball player.

I could dream in poetry, could summon words for spiritual experience, could name God in twelve ways and in ten times and places in history. Award-winning writer Karen Salyer McElmurray details her life's journey across continents and decades in a poetic collection that is equal parts essay-as-memoir, memoir-as-Künstlerroman, and travelogue-as-meditation. It is about the deserts of India. A hospital ward in Maryland. The blue seas of Greece. A greenhouse in Virginia. It is about the spirit houses of Thailand. The mountains of eastern Kentucky. The depths of the Grand Canyon. A creative writing classroom in Georgia. An attic in a generations-old house. It is about coming to terms with both memory and the power of writing itself. At turns lyrical, poignant, and alluring, McElmurray probes her personal history from the stance of different places, perspectives, and vulnerabilities as she tenderly and fiercely searches for acceptance and a place to call home.

When people think of Kentucky, three things usually come to mind: bourbon, Colonel Sanders's secret chicken recipe, and the glamorous Kentucky Derby. Add college basketball to that list, and you have yourself a superfecta. Looking beyond these time-honored traditions, however, visitors will find in Kentucky a diverse patchwork of faces and places, each as unique as the state's geography. Kentucky, Y'all: A Celebration of the People and Culture of the Bluegrass State is an entertaining and informative compilation of the state's favorite oddities, cultural quirks, traditions, and rites of passage. Authors and proud Kentuckians Blair Thomas Hess and Cameron M. Ludwick share the best stories from their experiences as writers, travelers, and residents in this ode to the Commonwealth. From the iconic to the obscure, the book reveals vital knowledge that every Kentuckian—whether by birth, residence, or simply in mind and heart—should know. What is beer cheese? Who was Bill Monroe? Where can you get a hemp hot dog? Readers are introduced to the brilliant minds behind the Louisville Slugger, the Bowie Knife, and pioneering work in genetics. The book also includes a handy list of dos and don'ts of tailgating, a Kentucky sayings glossary, and bucket lists of things to do, drink, read, and eat.Featuring hand-drawn illustrations that represent life, fashion, and entertainment in the Commonwealth, Kentucky, Y'all is an insightful and exuberant guide to the Bluegrass State—for Kentucky natives and visitors alike.

Certain cocktails carry societal connotations and cultural meaning. Some drinks are regional symbols such as the mint julep, which is inextricably tied to the Kentucky Derby. Classic drinks like the old fashioned or the Manhattan tend to denote a more sophisticated or refined palate, whereas wine coolers and tropical cocktails are often associated with new or inexperienced drinkers. Enter the whiskey sour. A cocktail from the sour family, the iconic drink is usually made with bourbon whiskey, lemon juice, and sugar. While its ingredients seem strikingly similar to an old fashioned, the whiskey sour's reputation is far less revered, and in certain circles, maligned for its sweetness.The Whiskey Sour elevates the reputation of the classic cocktail by exploring its rich history— starting in the 1600s with punch, the predecessor to sours, and bringing the reader through to the twentieth century when the whiskey sour was well-established. Seasoned mixologists and new cocktail enthusiasts will be educated about the development of the traditional recipe and encouraged to make their own creations by incorporating modern riffs, syrup additions, and fun enhancements. Part historical narrative, part recipe book, this friendly and approachable guide challenges the stigma surrounding the cocktail as a drink for unrefined tastes and illustrates the elegant, romantic, and complex facets of the whiskey sour—a perfectly sweet, tart, and balanced cocktail.

"The flood came at night, forcefully and quickly, destroying so many lives in its wake. Unfortunately, I'm afraid it will happen again and again." — Carter SickelsIn late July 2022, a catastrophic flash flood claimed the lives of more than forty people and devastated homes and communities in Central Appalachia. The forty-fifth annual Appalachian Writers' Workshop at Hindman Settlement School in eastern Kentucky was in progress when surging floodwater forced the participants and staff to rush to higher ground. The school lost classrooms, housing, and gathering areas, as well as valuable equipment, and irreplaceable artifacts such as historical books and documents, photographs, and handmade musical instruments from the school archives were damaged. As the floodwaters receded throughout the region, countless lives were forever changed.In this visceral and powerful anthology, well-known and emerging Appalachian writers create an authentic space for processing and healing as they document and share the depth of the flood's devastation. Through words and images, Troublesome Rising reveals the writers' fears, desperation, sadness, and anger while detailing and examining the disaster's causes, the need for solutions, and how flooding has historically impacted the Appalachian community and culture. In a shared, varied, and resounding voice, this compelling collection not only serves as a historical document and an in-depth investigation of the event, but also as a celebration of Appalachian strength, determination, and resilience.

In Appalachian Plants: In the Garden, In the Yard, and In the Wild, Linda Hager Pack takes readers on a journey through the historical wilds of Appalachia, remembering a time when Appalachians relied on plants for much more than feeding their families. Plants were used for healing and for food but they also sparked social gatherings; they were thought to foretell the future and to provide protection from the weather and evil spirits. Appalachian Plants delights with plant lore, recipes, home remedies, superstitions, and legends about the various plants grown in the yards, gardens, and forests of Appalachia. Illustrated by Pat Banks, Appalachian Plants includes beautifully rendered watercolor depictions accompanied by each plant's botanical name, common name, and a short description. Both educational and entertaining, Appalachian Plants is a unique, lovingly rendered, and informative visual history that people of all ages will treasure.

In sports, not all the long shots who succeed are athletes. In 1984, Tom Hammond, a forty-year-old sportscaster who had primarily worked in Kentucky and the Southeast, got an unlikely opportunity to appear on the NBC Sports telecast of the inaugural Breeders' Cup. Assigned to report from the stall area on what was supposed to be a single broadcast, Hammond performed so well that an NBC executive offered him a chance to call NFL games on the spot. That broadcast launched Hammond's thirty-four-year career with NBC Sports and his rise to the top levels of American television sportscasting. Along with cowriter Mark Story, Hammond pulls back the curtain on how a Kentucky native who started out reading horse racing results on Lexington radio went on to broadcast from thirteen Olympic Games.While covering Thoroughbred racing for NBC, Hammond broadcast sixteen Kentucky Derby and Preakness Stakes races and eleven runnings of the Belmont Stakes, including American Pharoah's historic 2015 Triple Crown victory. Hammond offers glimpses into his time as the play-by-play voice for Notre Dame football, calling NBA and NFL games, and his long-running stint announcing Southeastern Conference men's basketball for the league's syndicated TV package. Races, Games, and Olympic Dreams is an intimate and gripping look at Hammond's experiences, including his coverage of Olympic track and field, figure skating, speed skating, ice dancing, diving, and basketball events. Hammond worked with broadcasting luminaries such as Dick Enberg, Bob Costas, Cris Collinsworth, and Bill Walton, and encountered world-class athletes like Allyson Felix, Michael Jordan, Sarah Hughes, and Peyton Manning. Although his career has spanned the nation and the world, Hammond's roots have always remained firmly planted in the Bluegrass State.

Once called "the most gifted character actor of our time" by Broadway theater producer Arthur Hopkins, Lionel Barrymore (1878–1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family members—including his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It's a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A Christmas Carol from 1934 to 1953. He spent the last two decades of his career playing versions of his signature character—the curmudgeonly but lovable gentleman—in a variety of films from You Can't Take It With You (1938) to Key Largo (1948). Barrymore worked alongside some of Hollywood's most recognizable names, including Humphrey Bogart, James Stewart, Frank Capra, Lauren Bacall, Clark Gable, and Ava Gardner, and his legacy is enshrined at the Hollywood Walk of Fame, where he has two stars—one for radio and one for film. In Lionel Barrymore: Character and Endurance in Hollywood's Golden Age, Kathleen Spaltro examines Barrymore as an individual rather than just a supporting cast member of the famous dynasty. This comprehensive study divides Barrymore's life into three compelling acts. Act One follows Barrymore's early days—his failed endeavor as a visual artist, his performances in the family vaudeville acts, his first silent motion pictures, and his greatest successes and failures on the stage. Act Two details Barrymore's establishment as a fixture at MGM, his foray into directing, his success as the first actor to thrive in the talkies, and his estimable Oscar-winning performance. Finally, Act Three expounds on Barrymore's curation of his trademark character—the endearing grouch—his exploits in radio, and his fateful final years. Spaltro also unearths Barrymore's personal challenges, recounts his difficulties with—and sometimes estrangement from—members of his family, and delves into the devastating losses Barrymore suffered: his divorce, the deaths of his two daughters, and later, the death of his second wife and the accidents that eventually consigned him to a wheelchair. Lionel Barrymore is a detailed, multifaceted portrait of a brilliant character actor.

Children's books play a critical role in building a child's worldview, introducing new vocabulary, and imparting moral lessons with examples from young readers' own contextual world. Yet there is a serious need for a perspective more attuned to the cultural and verbal complexities of Appalachia's young readership. Mommy Goose's Appalachian Melodies fills the gaps in children's literature by carving a space for readers to delight in language and the richness of music and storytelling in the region. Each lyrical poem and nursery rhyme, in tandem with whimsical and vibrant wood carvings, taps into the world of natural wonder and domestic charm. Revealed is a world populated with people, farm animals, wildlife, and nature that is equally familiar and fantastic to Appalachian children. The quaint and heartwarming poems address lessons of kindness, acceptance, and respect, while not shying away from poignant glimpses of life's harsh realities. This colorful collection celebrates the art, language, and culture of Appalachia and creates a unique and magical world—for children of all ages.

An emotive soprano, heartrending melodies about unrequited love, and a draped-over-the-piano persona made Helen Morgan (1902–1941) the original torch singer, but she was so much more. The versatile actress appeared on Broadway, in film, and on radio. In a number of stage revues, she danced, sang, and excelled in sketch comedy. She played Julie in Kern and Hammerstein's Broadway musical Show Boat (1927) and also starred in the duo's Sweet Adeline in 1929. That same year, Morgan appeared in Rouben Mamoulian's classic film Applause. When the Great Depression made theater roles scarce, she headed the CBS radio program Broadway Melodies and worked in the emerging medium of television. Yet Morgan's life was one of extremes. She earned a million dollars throughout her career but remained in constant debt. She was one of the most universally beloved people in her profession, but a stable romantic relationship eluded her until the very end of her life. She was a protofeminist who aided women facing unplanned pregnancies, yet she also sought respite in a man whose financial support would allow her to retire from the stage. Through it all, she battled alcoholism; brandy would eventually extinguish her flame in 1941. Helen Morgan: The Original Torch Singer and Ziegfeld's Last Star is the first biography of the gifted performer since 1974. Author Christopher Connelly utilizes interviews, newspaper articles, and family scrapbooks to present an honest and unflinching look at Morgan's life. Connelly's meticulous research addresses Morgan's troubled childhood, including her mother's six marriages, and the trauma of her stepfather's arrest and conviction for manslaughter in 1913. Also revealed are details regarding her early career in vaudeville and silent film, insights into the speakeasy and supper-club culture that served as a backdrop to Morgan's career, and accounts of her outstanding accomplishments, philanthropic actions, and enduring popularity. This gripping narrative presents the brief but brilliant life of a complex, talented, and iconic entertainer.

In Black Officer, White Navy, Lieutenant Commander Reuben Keith Green shares a compelling and enthralling account of how, as a Black man in the post–Vietnam War era, he navigated his unique career path from high school dropout to unrestricted line officer in the US Navy. Weaving history with personal narrative, Green's engaging, raw, and insightful storytelling style provides an insider's analysis of what was happening within the navy, ultimately exposing systemic racism throughout the US military. Using the "power of the pen," he offers uninhibited accounts of sometimes life-threatening confrontations that resulted from personal and institutional racial bias, describing what it was like to "sail second class" in the navy. Green, who retired as a decorated surface-warfare officer in the mid-1990s, presents an eye-opening account of the challenges, discrimination, and resistance he faced while serving in the military. Through it all, Green's characteristic sense of humor and honesty shine as he tells one hell of a sea story.

During the chaotic evacuation of the United States from Afghanistan in 2021, a group of Congress members who were also military veterans of the War on Terror leapt into action to assist vulnerable people in Afghanistan who had aided the American war effort. This cohort of legislators and their staffs on Capitol Hill created hotlines and worked 24-hour shifts in an intense effort to save lives, often coordinating between government agencies, informal networks of veterans' groups, and contacts on the ground in Kabul. In the process, many veteran lawmakers also became vocal critics of presidential management of the crisis and said they felt a moral obligation to act. In Staying in the Fight: How War on Terror Veterans in Congress Are Shaping U.S. Defense Policy, author Jeffrey S. Lantis shines a spotlight on this cohort of legislators and their unique position in the American government. By using exclusive interview data, archival sources, statistics, process -tracing, and comparative case methodology, Lantis illustrates ways that policy interventions and activism by veterans on both sides of the aisle haves shaped America's involvement in conflicts from Afghanistan to Ukraine. The first study of its kind to focus on this new generation of military veterans and their role in foreign and security policy decision-making, Staying in the Fight speaks directly to debates in civil-military relations, veterans' studies, and research on congressional foreign policy advocacy.

Located approximately forty miles northwest of Philadelphia, the working-class borough of Pottstown does not immediately come to mind as an influential site of the Black Freedom Struggle. Yet this small town in Pennsylvania served as a significant hub of interracial civil rights activism with regional as well as national impact. In The Jim Crow North: The Struggle for Civil Rights in Pottstown, Pennsylvania, Matthew George Washington adds another interpretive perspective to historiography by using both the "freedom North" and the "long civil rights movement" theoretical models to frame the borough's unique history. Primary documents, including newspaper accounts, census records, oral histories, and correspondence present a vivid account of a rapidly changing town, from the dawn of its civil rights movement during World War II to the revitalization of its NAACP branch in the early 1950s and its activism throughout the 1960s. Placing special emphasis on the demographic nature of the movement, Washington explores how interracial collaboration among the working class made up the movement's critical base—and how, through it all, Black activists remained front and center.This critical examination of Pottstown illuminates the struggle for African American civil rights in one of the long-ignored urban spaces of the North, providing a rich and in-depth portrait of the Black Freedom Struggle of postwar America.