Quite simply, without engineers the U.S. Army would have been unable to fight World War II. The men of the Corps of Engineers, with the strength of more than 700 battalions mobilised during World War II, were tasked with every imaginable engineering challenge. In rear areas and back in the United States they built the facilities essential for everyday military life: showers, toilets, barrack blocks, military hospitals, training camps, storage depots, and much more. To keep logistics flowing to the front, they constructed or repaired thousands of miles of roads and bridges, plus built airfields to support Allied strategic and tactical air operations. Engineers also created endless chains of defensive positions, from simple trench systems to complex bunker networks, as well as retrieving damaged vehicles and equipment from still-contested battlefields.   Combat engineers, meanwhile, occupied some of the most dangerous frontline roles in the American armed forces. Heavily armed with demolitions and weapons, plus weighed down by engineering tools and even driving armoured bulldozers, they were tasked with destroying enemy strongpoints, bridges, equipment, vehicles and many other obstacles to the advance, in both overland and amphibious operations.   Building the Battlefield: Tactics and Techniques of U.S. Army Engineers in World War II brings together an exceptional collection of primary sources from engineering field manuals, technical manuals, and other official publications. They provide a detailed insight into the work and skills of the U.S. Army engineers, including building a field fortification, laying and defusing mines, making a contested river crossing, or camouflaging a defensive position properly. Through these texts, we gain practical insight into the exceptional individuals who often combined first-rate infantry fighting skills with engineering skill and problem-solving ingenuity.

Simon Bolivar Buckner Jr. was a major figure of the Pacific War, both for his command in Alaska and in his key role heading Tenth Army during the Battle of Okinawa in the spring of 1945. Buckner was the senior U.S. officer killed by enemy fire in World War II when Japanese artillery cut him down on June 18, 1945, one month shy of his 59th birthday. The shelling ended a remarkable life – son of a Confederate Lieutenant General and governor of Kentucky, the "Child of the Democracy" in the 1896 Presidential election campaign, educated at West Point, myriad service as a student and instructor at various Army posts and schools from 1917 to 1936, command in Alaska from 1940 to 1944, and ultimately of Tenth Army from 1944 to his death.   General Buckner kept a diary covering the period from January 1, 1944 to June 17, 1945, which has never been fully published until now. Buckner made notes every day, often in great detail; his chief of staff thought Buckner wanted to write a memoir after the war, but the papers were scattered after his death. In addition to the Okinawa material, Buckner's diaries discuss his departure from Alaska and service in Hawaii as Tenth Army commander. Topics include his daily life in wartime Hawaii, troop training, comments on war events, gossip, notes on his travels to Guam and the Philippines, and his role in the Smith vs Smith controversy after the Battle of Saipan. The diary text is augmented by letters from General Buckner to his wife Adele during March to June 1945, and a letter from the Tenth Army Chief of Staff to Adele detailing Buckner's death. Tenth Army Commander is an important account from a too-long-silent voice among Pacific War leaders.      

The second volume of this brand new comprehensive guide covers every type of English gold coin from 1816 onwards and includes many new varieties, along with rarity values, arranged by monarch. Accompanying Bull reference numbers are again cross-referenced to the Standard Catalogue of British Coins.

The present publication constitutes the Proceedings of Session 7 of the ‘Creation of landscapes VI’ workshop, hosted by the CAU Kiel in 2019. The session was entitled ‘Mediterranean Connections – how the sea links people and transforms identities’.With our focus on the linkage of people, this volume can be understood as a contribution to recent network research. But network research, especially when employed in the humanities, is often looked at with scepticism, not to say mistrust: Isn’t this just a game with numbers? Does it really relate to the type of data we are used to in our research, to poems, sherds or seal impressions? Can it say anything at all about… life?In fact, the various articles of this volume are not restricted to the strict technical approach of classical network research. Our session on Mediterranean networks started from the idea that for the inhabitants of this relatively integrated region, the sea evidently influenced their lives and their thinking in a significant way. In fact, it was the sea that provided the medium for such integration on various levels. The substantial body of data produced by long-standing research in diverse disciplines makes it possible to chart the emergence of ancient perceptions of distance and movement, connectivity and identities. This approach allows us to observe ancient awareness of the role of the sea in these processes. It also allows us to connect across academic boundaries and build a network of disciplines for a much more cohesive picture of past life.

Archaeology has gone digital for some time now! Topics such as GIS databases, 3D models, drone photography, meta- and para-data, semantic mapping, text mining, simulation, and social network analysis have become commonplace in archaeological discourse and practice. Digital and technological advancements seemingly offer limitless promises for data recording, analysis and dissemination. Yet, after several decades of innovation, we must ask ourselves which of these promises are actually fulfilled, and which persistent impasses are present. Today, some reflexive questions are more important than ever. In particular, when, how and why do our innovative archaeology tools fail? Do we approach our archaeological projects with a digital wand and (implicitly or explicitly) expect a magical solution? And when there is indeed a digital solution, at what expense does it come?In this volume, scholars and practitioners in the field discuss the state of the art, as well as the promises and impasses that digital approaches to archaeology entail. The authors discuss the current state of teaching digital archaeology, the societal impact of digital innovations, current issues in archaeological data management, promises and limitations of isotopic research and remote sensing techniques, and why subfields such as agent-based modelling and serious gaming struggle to keep momentum.

When Vasa was raised in 1961 a lost world was revealed in astonishing detail. Among the most remarkable finds were the remains of the rigging. Normally shipwrecks offer only a few clues to the structure above the waterline, but on Vasa the lower masts, a myriad of blocks and deadeyes, hundreds of metres of rope and cable and – most astonishingly – nine sails from the ship and its boat survive. The unique finds provide an unparalleled opportunity to reconstruct the rigging in detail and to form an understanding of how ships were sailed in the seventeenth century. With a sail plan, rigging, and steering gear that are substantially different to the classical full-rigged ship of the nineteenth century, the evidence from Vasa paints a vivid picture of ship-handling in the Age of Sail. Vasa II Part 1 presents more than a thousand finds of wood, metal, and cloth from the most complete rig to survive from before 1800, which form the basis for a complete reconstruction of the rig and sailing performance of a large warship of the 1620s.

Olivier Nieuwenhuyse was a remarkable archaeologist whose work has transformed the study of later Neolithic societies in West Asia. He has inspired many colleagues and students in their own pursuit of archaeology. Through the analysis of material culture his aim was to reconstruct social meanings and practices of societies in the deep past. In this volume a series of colleagues and friends pay tribute to the scholarship of Olivier Nieuwenhuyse, who died much too young, and present a series of studies on the archaeology of Late Neolithic societies in West Asia.   The volume includes a reflection on Olivier’s career in archaeology (Spoor). There are chapters on the key site of Tell Sabi Abyad, on which Olivier worked for many years, dealing with its buildings (Akkermans and Brüning), its funerary practices (Plug), and the use of bitumen at the site (Connan et al.). The next section on the book focusses on the analysis of tokens (Bennison-Chapman), figurines (Arntz, Düring), and ornaments (Belcher and Croucher), of various sites dating to the Late Neolithic in West Asia. Following this there are studies on the emergence of pottery in West Asia (Bartl, Özbal), the use of ceramic ‘husking trays’ (Balossi Restelli), and the design rules in various prehistoric pottery traditions (Bernbeck and Pollock). Finally, the last chapter presents new data on prehistoric Palmyra (Maqdissi and Ishaq).   Colleagues working on Neolithic West Asia will find much of interest in this volume. We hope they will agree that this is a worthy tribute to the remarkable body of scholarship that Olivier Nieuwenhuyse has created.

Smickel Inn is a publication of works by London-based Anglo-Dutch artist Nick Goss, produced by Ingleby, Edinburgh, and co-published with Matthew Brown, Los Angeles, and Anomie Publishing, London. Along with around sixty plates and illustrations, the publication features an essay by writer, journalist and critic Hettie Judah, and an in-conversation between Goss, fellow painter Michael Armitage and writer Thomas Marks. ‘Smickel Inn is a real place in an unreal place,’ writes Judah, ‘a snack bar on an outer extremity of the port of Rotterdam.’ It’s a venue that is popular with port workers and sailors – a clientele of regular and transitory people often involved in sea freight or oil shipping, though their lives, personalities and stories are largely played out in Goss’s mixed-media paintings through the bar’s interior décor: an old vase with fresh flowers, a stack of glass ashtrays, a well-worn piano with a pile of books on top, an eclectic selection of picture frames with faded scenes and a clock that might only be right twice a day. Filtered through Goss’s imagination, Smickel Inn carries its history with it, much of it decorating the countertop; it’s a venue that charms with its informality – a place that knows itself, and its disparate customers. In real life, the bar has a cinematic view of the port and the North Sea, translated here, through Goss’s creative process of painting and silk-screening, into a scene from an engraving of seventeenth-century Sicily. Fragments from different places and eras infiltrate his images, creating a patina of palimpsests, visual echoes, perhaps, of memories of travellers coming through the port.The body of work takes us around the wider Dutch coastline and beyond – we see passengers on foot disembarking a ferry, have a backseat view of a car ride around the village of Stavenisse, and join a night-time campfire on the beach at Scheveningen, among other more mysterious, if not abstruse, locations and scenarios. Observation from contemporary life mingles with visual culture spanning centuries and continents in Goss’s oeuvre, creating lyrical yet strangely haunting and melancholic paintings, trapped in time somewhere between personal experience and collective memory.Nick Goss is an Anglo-Dutch painter, born in Bristol in 1981. He studied first at the Slade School of Art (2002–06) and then at the Royal Academy Schools, London (2006–09). He has exhibited widely in Europe and America, including solo exhibitions with Josh Lilley, London, Matthew Brown, Los Angeles, Simon Preston, New York, and Contemporary Fine Arts, Berlin. His first institutional survey, Morley’s Mirror, was presented in 2019 at Pallant House, Chichester, UK. Smickel Inn is published to coincide with Goss’s first exhibition at Ingleby, Edinburgh, in the autumn of 2023.

During the Revolutionary War, forts in New York were instrumental in initiating and maintaining America’s desire for independence and helped the nascent nation to eventually prevail.   These forts saw crucial, campaign-determining naval battles, and pivotal land engagements between battle-hardened well-led British troops and unproven American militia. In both land and sea engagements the garrisons deployed a range of weapons including different calibers of smooth-bore cannon, howitzers, musket, bayonets, and even tomahawks.   Covering Amsterdam, Clinton, Fort Clinton at West Point, Dayton, Decker, Flagstaff, Au Fer, Brooklyn, Defiance, Franklin, Golgotha, Herkimer, Jay, Klock, Montgomery, Niagra Old Stone Fort, Salonga, Stanwix, Ticonderoga, Wadsworth, and Washington, this expert text discusses design, armament, and current status of the forts. It explores their garrisons, commanders, and the battles fought, as well as the spatial and military dependent relationships these forts had with one another.

The Vistula-Oder offensive was a massive Soviet Army operation on the Eastern Front which was launched on 12 January 1945 and paved the way for the Battle of Berlin. Its main objective was a major advance from the River Vistula to the River Oder, bringing Soviet forces within fifty miles of the gates of Berlin. The offensive faced a German defensive line east of Warsaw. These 450,000 German troops were outmatched three to one by the Soviet forces. The Red Army assault began what would be a devastating three weeks for the German forces of Army Group A.German attempts to hold their lines and avoid being sucked into a maelstrom of destruction were unsuccessful. Army Group A would collapse almost all the way back to Berlin, ending the Third Reich’s desperate efforts to cling onto land captured in Poland five years earlier, and stem enemy forces spilling over into Germany and threatening Berlin. The battle saw some 295,000 soldiers killed and 147,000 captured, as well as thousands of tanks, artillery, and machine guns destroyed. Within two months of the offensive the battle of Berlin was launched.This fully illustrated book relates this story of defeat and survival, offering a detailed visual record of Nazi Germany’s demise between two main rivers in Poland and Germany.

On December 7, 1941, an imperial Japanese carrier strike force attacked the US Pacific Fleet at Pearl Harbor, taking advantage of what was one of the most profound intelligence failures in US history. Galvanised into action, the branches of the U.S. military subsequently developed one of the greatest, albeit imperfect, intelligence-gathering and analysis networks of the combatant nations, opening an invaluable window onto the intentions of their enemies. The picture of U.S. military intelligence during World War II is a complex one. It was divided between the fields of signal intelligence (SIGINT) and human intelligence (HUMINT), combat intelligence and War Department intelligence, and between numerous different organisations, including the Military Intelligence Division (MID), Military Intelligence Service (MIS), the Office of Naval Intelligence (ONI), the Counter Intelligence Corps (CIC), the Office of Strategic Services (OSS) and the many intelligence units organic to Army, Navy, Army Air Forces, and Marine Corps.   The documents collected in this book reveal the theoretical and practical principles behind wartime intelligence gathering and analysis, from the frontline intelligence officer to the Washington-based code-breaker. They explain fundamentals such as how to observe and record enemy activity and intercept enemy radio traffic, through to specialist activities such as cryptanalysis, photo-reconnaissance, prisoner interrogation, and undercover agent operations.   The painstaking work of an intelligence operator required a sharp, attentive mind, whether working behind a desk or under fire on the frontlines. The outputs from these men and women could ultimately make the difference between victory and defeat in battle.

This book is concerned with the origins, uses and subsequent histories of monuments. It emphasises the time scales illustrated by these structures, and their implications for archaeological research. It is concerned with the archaeology of Western and Northern Europe, with an emphasis on structures in Britain and Ireland, and the period between the Mesolithic and the Viking Age.It begins with two famous groups of monuments and introduces the problem of multiple time scales. It also considers how they influence the display of those sites today – they belong to both the present and the past. Monuments played a role from the moment they were created, but approaches to their archaeology led in opposite directions. They might have been directed to a future that their builders could not control. These structures could be adapted, destroyed, or left to decay once their significance was lost. Another perspective was to claim them as relics of a forgotten past. In that case they had to be reinterpreted.The first part of this book considers the rarity of monumental structures among hunter-gatherers, and the choice of building materials for Neolithic houses and tombs. It emphasises the difference between structures whose erection ended the use of significant places, and those whose histories could extend into the future. It also discusses ‘megalithic astronomy’ and ancient notions of time. Part Two is concerned with the reuse of ancient monuments and asks whether they really were expressions of social memory. Did links with an ‘ancestral past’ have much factual basis? It contrasts developments during the Beaker phase with those of the early medieval period. The development of monumental architecture is compared with the composition of oral literature.

The decision to not deploy reoriented, trained Iraqi divisions and other allied forces in numbers significant enough to adequately stabilize the situation in Iraq in 2003–04 resulted in significant shortages of manpower and equipment that eventually led to a less-than-satisfactory ending to the campaign, and significantly challenged the entire Coalition effort in the first year of Operation Iraqi Freedom. The roles and missions assumed by allies were vitally important in the under-resourced effort to bring order to the chaos of Iraq but would remain relatively unheralded throughout most of the campaign.Colonel Tiso’s account of this time offers unique insights into the challenges of planning the Iraqi campaign and the intricacies and challenges of multinational service through the lens of his assignments as a war planner at U.S. Central Command, Senior Military Adviser of the Arab Peninsula Shield Force and the Polish-led Multinational Division (Central-South), and Chief of Staff and Deputy Chief of Staff for Operations (C-3) of the Coalition Military Assistance Training Team tasked to develop the New Iraqi Army. His observations cast significant light on the missions these units undertook and the challenges they confronted.His firsthand account of operational planning for war in Iraq captures the concerns of the military planners and senior commanders to liberate and stabilize the country, enabling the reader to better understand the challenges of operational war planning, coalition warfare, the difficulty of stabilizing Iraq after the fall of Baghdad, the development of the New Iraqi Army, and ultimately a deeper understanding of America’s “long war” in Iraq.

This volume present a detailed study of the thin, usually rectangular, pieces of pierced fine stone that occur in inhumation graves of Beaker date mainly of the second half of the third millennium cal BC. These objects are considered to be archer's bracers or wristguards. The study forms part of a more wide-ranging research project to identify more accurately the significance of burial assemblages from Beaker and Early Bronze Age contexts in England and Wales. The key objective is to produce a detailed analysis of the nature and function of these grave goods, beginning with the bracers, and to test the hypothesis that many of the artifacts were originally designed for use as components of ritual costume or as equipment for use in religious acts and ceremonies. The volume includes an illustrated database of all recorded bracers.

John Carr of York (1723 – 1807) was one of the most prolific and significant architects of the eighteenth century, with an output of over 400 designs, most of which were executed. His designs vary from simple gateways through to the grandest schemes, such as that for the palatial hospital at Oporto in Portugal, Harewood House and village in Yorkshire, and Basildon Park in Berkshire.

Two events tie together the nine stories in Monic Ductan's gorgeous debut: the 1920s lynching of Ida Pearl Crawley and the 1980s drowning of a high school basketball player, Lucy Boudreaux. Both forever shape the people and the place of Muscadine, Georgia, in the foothills of Appalachia.    The daughters of Muscadine are Black Southern women who are, at times, outcasts due to their race and also estranged from those they love. A remorseful woman tries to connect with the child she gave up for adoption; another, immersed in loneliness, attempts to connect with a violent felon. Two sisters love each other deeply even when they cannot understand one another. A little girl witnessing her father's slow death realizes her own power and lack thereof. A single woman weathers the excitement - and rigors - of online dating. Covering the last one hundred years, these are stories of people whose voices have been suppressed and erased for too long: Black women, rural women, Appalachian women, and working-class women. Ductan presents the extraordinary nature of everyday lives in the tradition of Alice Walker, Deesha Philyaw, James McBride, and Dorothy Allison in an engaging, engrossing, and exciting new voice.