A biography of Abū al-Faḍl al-ʿAbbās, the half brother, diplomat, and negotiator of al-Ḥusayn. The author was named Distinguished Scholar of Shia Studies in the Islamic Republic of Iran's 28th World Book Awards in 2020. He is at present a resident faculty member of PISAI, lecturing in Shīʿī Islamic studies, Qurʾān and Islamic Ethics, and a visiting lecturer at the Pontifical Beda College in Rome.

During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director. " While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints.Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.

During funerals of nobles in the Kuba kingdom (Democratic Republic of Congo), visitors used to theatrically offer so-called bongotols to the deceased and the mourning family. These highly appreciated valuables were either positioned under the corpse to support it or displayed on top of it.In addition to their religious meaning they displayed the status and wealth of both givers and takers. Visitors would receive similar items in return. Afterwards the bongotols were stashed until, on occasion of a next burial, they would continue their cycles of gift and counter gift among the titled Kuba aristocracy.Death and display brings ethnographic research and archival sources to bear on these intriguing heirlooms. Their rich iconography offers a kaleidoscope of traditional Kuba sociality, cosmology and ritual.

In this edited volume, authors seek to document and analyze how state and non-state actors leverage digital rhetoric as a twenty-first-century weapon of war. Rhet Ops offer readers a chance to focus on the human dimension of rhetorical practice within mobile technologies and social networks: to reflect not only on the durable question of what it means to conduct oneself ethically as a speaker or writer, but also what it means to learn the art of rhetoric as a means to engage adversaries in war and conflict.

The volume examines the process of globalization from a genealogical point of view. By doing so, it offers a contribution to the understanding of the deep and critical spatial transformation reshaping our world from both a political and a conceptual point of view, taking into consideration recent developments including Brexit and the politics of Donald Trump. Focusing his analysis on the natural element of “air”, Vegetti provides an original approach to globalization. Following in the the footsteps of the German jurist and political theorist Carl Schmitt, Vegetti defines our global age as characterized by the transformation of the air into a concrete social space, first through the advent of airplanes, radio waves, and radar and now in the present-day structure of global networks.

For decades, smiling images of "Aunt Jemima" and other historical and fictional black cooks could be found on various food products and in advertising. Although these images were sanitized and romanticized in American popular culture, they represented the untold stories of enslaved men and women who had a significant impact on the nation's culinary and hospitality traditions, even as they were forced to prepare food for their oppressors.Kelley Fanto Deetz draws upon archaeological evidence, cookbooks, plantation records, and folklore to present a nuanced study of the lives of enslaved plantation cooks from colonial times through emancipation and beyond. She reveals how these men and women were literally "bound to the fire" as they lived and worked in the sweltering and often fetid conditions of plantation house kitchens. These highly skilled cooks drew upon knowledge and ingredients brought with them from their African homelands to create complex, labor-intensive dishes. However, their white owners overwhelmingly received the credit for their creations. Deetz restores these forgotten figures to their rightful place in American and Southern history by uncovering their rich and intricate stories and celebrating their living legacy with the recipes that they created and passed down to future generations.

Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future uses the lens of queer ecologies to explore environmental destruction in Appalachia while mapping out alternative futures that follow from critical queer perspectives on the United States' exploitation of the land. With essays by Lis Regula, Jessica Cory, Chet Pancake, Tijah Bumgarner, MJ Eckhouse, and other essential thinkers, this collection brings to light both emergent and long-standing marginalized perspectives that give renewed energy to the struggle for a sustainable future. A new and valuable contribution to the field of Appalachian studies, rural queer studies, Indigenous studies, and ethnographic studies of the United States, Deviant Hollers presents a much-needed objection to the status quo of academic work, as well as to the American exceptionalism and white supremacy pervading US politics and the broader geopolitical climate. By focusing on queer critiques and acknowledging the status of Appalachia as a settler colony, Deviant Hollers offers new possibilities for a reimagined way of life.

Rural life and culture hold a practical and symbolic importance in American society. A central tenet to the survival of our cherished values—and of ourselves as a species—is the stewardship of cultural diversity and the places that foster it, like rural America. These may be the places that teach us to use land to make a living and to make a life, to forge and carry on our identities, and to feel history. They may yield a harvest of policies for managing an environmental balancing act that will preserve essential resources for America's children's children.Power and Place: Preservation, Progress, and the Culture War over Land examines the ongoing culture wars that pit conservation against economic progress. For author Melinda Bollar Wagner, what began as a study of Appalachia's long-standing and continuing status as an energy sacrifice zone evolved into a twenty-four-year research project that sheds new light on the physical and emotional parameters of cultural attachment to land. Drawing on interviews with more than 220 residents from ten communities in five Appalachian counties, Power and Place gives voice to rural citizens whose place at the table is far from assured with regard to critical energy, environmental, and infrastructure decisions.

At the conclusion of WWII, no part of the world experienced a more dramatic transformation than East Asia. The region's political stability throughout the postwar period prompted exponential economic growth that ultimately established South Korea, Japan, and China as East Asia's most important powers. While many citizens of these nations now live in a time of unprecedented prosperity, the arrangement that supported this region's transformation is fragile. With the second largest economy and a burgeoning military sector, China is widely acknowledged as the preeminent rising world power. The onus of maintaining balance in the region now rests primarily with South Korea and Japan in partnership with the United States. However, because of long-standing weaknesses in South Korea–Japan relations and an inconsistent US commitment to the region, the possibility that China could usher in a more uncertain era of revisionism has never been more likely.In Strengthening South Korea-Japan Relations: East Asia's International Order and a Rising China, Dennis Patterson and Jangsup Choi address the historical roots of this weak alliance. Combining decades of research with current public opinion data, the authors warn that the tendency of these nations to rely on the United States to maintain the status quo has become dangerously unstable. A new strategy, one of cooperation and collaboration, is needed to prevent China from upending the region's current liberal international order.

This book highlights aspects of the spiritual culture within Islam that flourished along the 'Silk Roads' – the term coined by Ferdinand von Richthofen in 1877 to describe the web of caravan routes that connected China, South and Central Asia, the Middle East and Europe. The movement of goods and of people was accompanied by the circulation of ideas, bringing about a vivid exchange in the cultural sphere – sufism, or tasawwuf, was one such idea. Focusing on this theme, these conference proceedings draw attention to the multiple dimensions embraced by tasawwuf, both in its temporal (i. e. historical, ethnographical and social) context, as well as its atemporal one (i.e. concerning spirituality and the ways this is conveyed and transmitted, both in the past and in the present).

Unlike in English and French cultural fields, where fashion during WWII is widely debated, in Italy the relationship between fashion and Fascism is an under-researched topic, separated from the study of Fascist institutions and bureaucracy. The behind-the-scene history of the fashion magazine Bellezza, the Italian Vogue founded in 1941, has never been submitted to scholarly attention. Its utopian function in defining a new culture of fashion and code of glamour contributed to the totalitarian project of building a ‘new Italian woman’. The current volume fills this gap, using the case of Bellezza as a kaleidoscope through which to examine Italian history and culture drawing on new primary sources and extraordinary iconography.

How can we approach the world and guide our thinking in the face of profound, myriad challenges? This is the ambitious question that animates the current volume. The book seeks to formulate these challenges and develop ways to tackle them through a set of wide-ranging interviews with leading intellectuals of our times, including Nancy Fraser, Seyla Benhabib, Michael Walzer and Etienne Balibar. Contributing fresh perspectives on current events – from the liberation of women’s voices to the crisis of secularism; from populism, the pandemic, and the rise of conspiracy theories to new forms of resistance – these essays show a refusal to lapse into rigid and reductive oppositions, instead providing critically nuanced interpretations of contemporary events and struggles. The collection brings together original and accessible points of view, selected by researchers from the Institute for Philosophy and Social Theory at the University of Belgrade, in the pursuit of and safeguarding intellectual freedom.

Focusing on the Libyan crisis, the volume sets discourse on interference within a theoretical framework. The first part tries to understand the lawfulness of the duty to interfere and the responsibility to protect, as well as the semantic difference between these two forms of interventionism. The second part offers an investigation on how the right to protect was applied in Libya in 2011.

Our world is at a critical turning point in history, as certainties are swept aside by a global pandemic, climate change and political upheaval. The choices we make over the next few years How we respond to these challenges will resonate for decades and determine whether we usher in a new Age of Enlightenment or a second Dark Ages. In this compelling book, Mark Roeder makes sense of our predicament, and explains why we must reconsider some of our most fundamental beliefs. Our current path is not sustainable - socially, environmentally or economically. We are literally devouring our planet, and our communities are becoming more polarised and fearful of the future. The time has come for us to make some bold changes to the way we live. This book explains what these changes should be, and how to implement them.

Across a range of industrial, domestic, and agricultural sites, Greer shows how repetitive discursive performances served as rhetorical tools as women workers sought to rescript power relations in their workplaces and to resist narratives about their laboring lives. The case studies reveal noteworthy patterns in how these women’s words helped to construct the complex web of class relations in which they were enmeshed. Rather than a teleological narrative of economic empowerment over the course of a century, Unorganized Women speaks to the enduring obstacles low- and no-wage women face, their creativity and resilience in the face of adversity, and the challenges that impede the creation of meaningful coalitions. By focusing on repetitive rhetorical labor, this book affords a point of entry for analyzing the discursive productions of a range of women workers and for constructing a richer history of women’s rhetoric in the United States.

This is a book about spiders and arachnophobia. With a touch of humour, deep curiosity and an artist’s eye the author examines her phobia and the object of her fear. What is a spider? What makes these eight-legged creatures so scary? To understand her own reactions to spiders better she describes her past and present encounters with them. The story takes her back to her childhood in Norway and the USA, to holidays in Spain and Portugal, to travels around Australia, and to her relocation in Tasmania. She focuses on Australian spiders while including fine examples of these astonishing creatures from elsewhere.