Rationality, objectivity, symmetry: were these really principles urged and exemplified by eighteenth-century English prose? In this persuasive study, Robert W. Uphaus argues that, on the contrary, many of the most important works of the period do not actually lead the reader into a new awareness of just how problematical, how unsusceptible to reason, both the world and our easy assumptions about it are. Uphaus discusses a broad range of writers -- Swift, Defoe, Mandeyville, Richardson, Fielding, Sterne, Johnson, and Godwin -- showing that beneath their variety lies a fundamentally similar challenge, addressed to the critical procedure which assumes that the exercise of reason is a sufficient tool for an understanding the appeal of imaginative literature.

The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American prototype?In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit" -- a character of untainted blood who joined the virtues of the two races in his manner of life -- was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto.This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.

Written by a beloved American author who grew up in the foothills of the Appalachians, these twenty-one short stories explore the daily lives and activities of Kentucky mountaineers. Life, animate existence, absorbs Jesse Stuart. Never is it more vital than when juxtaposed with death, hence the contrasting motifs of life and death permeating his work. In this book, Stuart tells the stories of the hills and the men who live there. They "curse the mountains," but love them too, he says. Existing in dimensions of real geography and elaborate imagination, Stuart moves easily between autobiography and fiction and often does not bother to distinguish one from the other. Greenup County, Kentucky blends into Greenwood County, and W-Hollow in both fiction and fact is subject to the proprietorship of the bard of Appalachia.

Stuart's first book of short stories remains haunting, powerful, and humorous.

First published in 1940, James Still's masterful novel has become a classic. It is the story, seen through the eyes of a boy, of three years in the life of his family and their kin. He sees his parents pulled between the meager farm with its sense of independence and the mining camp with its uncertain promise of material prosperity. In his world privation, violence, and death are part of everyday life, accepted and endured. Yet it is a world of dignity, love, and humor, of natural beauty which Still evokes in sharp, poetic images. No writer has caught more effectively the vividness of mountain speech or shown more honestly the trials and joys of mountain life.

This informative book shows how the influence of Kentucky Standard breeding spread across the nation and finally around the world. Here is the story of the horses and farms, the men and women who made it possible. Rich with anecdote and founded on a unique store of learning, it will delight both the newcomer to the sport and the lifelong devotee.

This volume presents a record of the Ford administration. From among the many public speeches delivered by Wendell Ford during the three years he served as Governor, W. Landis Jones has chosen a representative sample that reflects the wide-ranging concerns of the Ford administration. Arranged topically, the volume covers subjects from government reorganization and party politics to health and welfare, education, highways, and energy and environment.This selection does not include executive orders or proclamations, since they are part of the preserved public record. The cross section of public speeches and press releases that are included provides an easily accessible source for historians to view the broad spectrum of issues that faced the people of the Commonwealth during the early years of the 1970s.Included also are appendixes that provide a complete listing of speeches delivered by Governor Ford during his term of office, a chart that shows the organization of Kentucky government at the end of the Ford administration, and a synopsis of the administration by Thomas L. Preston.

With literature, music constituted the most important activity of poet and playwright Federico Garcia Lorca's life. The two arts were closely related to each other throughout his career. As a child, Lorca imbibed traditional Andalusian songs from the lips of the family maids, whom he would remember with affection years later. At a very early age he began to study piano, and during his adolescence, music and poetry competed for primacy among his interests. His first book was dedicated to his music teacher, who instilled in him a love for the world of art and creation.In part I of this study, Edward F. Stanton examines Lorca's theoretical and practical approach to cante jondo, the traditional music of Andalusia, as seen in his lectures on the subject and in the 1922 concurso. In part II, he searches for direct and -- far more important -- indirect echoes of this music in his work. Part III explores the mythic quality of Lorca's art in relation to cante jondo. Throughout, Stanton illuminates a new dimension of the poet's work.

Mysterious vanishing hitchhikers, travelers beset by headless dogs, and long-dead moonshiners come alive in this collection of ninety-six Appalachian folktales. Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This ghostly collection, with source information and bold illustrations, will thrill longtime lovers of supernatural lore.

Shantyboat is the story of a leisurely journey down the Ohio and Mississippi rivers to New Orleans. For most people such a journey is the stuff that dreams are made of, but for Harlan and Anna Hubbard it became a cherished reality. In the fall of 1944 they built a houseboat, small but neatly accommodated to their needs, on the bank of the Ohio near Cincinnati, and in it after a pause of two years they set out to drift down the river. In their small craft, the Hubbards became one with the flow of the river and its changing weathers. An artist by profession, Harlan Hubbard records with graceful ease the many facets of their life on the river-the panorama of fields and woods, summer gardening, foraging expeditions for nuts and berries, dangers from storms and treacherous currents, the quiet solitude of the mists of early morning. Their life is sustained by the provender of bank and stream, useful things made and found, and mutual aid and wisdom from people met along the journey. It is a life marked by simplicity and independence, strenuous at times, but joyous, with leisure for painting and music, for observation and contemplation.

In this concise yet comprehensive, thoroughly researched, and crisply written study, The Improbable Era places developments over the last three decades in Southern economics, politics, education, religion, the arts, and racial revolution into a disciplined framework that brings a measure of order to the perplexing chaos of this era of fundamental change in Southern life.

The foreign missionary movement of the early 19th century grew out of the efforts of churches in New England to deal with the changes then taking place in society. The erosion of traditional institutional structures and social values plus the rise of Unitarianism threatened the destruction of the traditional faith. Mr. Andrew holds that the Congregational clergy used foreign missions not only to implant New England culture in heathen lands but also to awaken a sense of community at home.

A personalized travelogue, My World chronicles the inspiring story of a poor Kentucky boy who learned how to turn the rough grist of his life into the fine art of literature.Jesse Stuart's life centered on W-Hollow, Greenup County, Kentucky, and extended to the far corners of the world. As a writer, teacher, and lecturer, he traveled to all but one of the United States and to ninety countries on six continents. As the core of Stuart's world, W-Hollow was the place of his birth and his first reaching out -- to the brown earth and the green shoots growing out of it, to the insects and animals that inhabited its wooded slopes, to the blue sky and the birds that flashed across it. From W-Hollow he went out first to Greenup High School, then to Lincoln Memorial University, then to all of Kentucky, and finally to the world.In My World, we see Stuart's expanding universe through his eyes. Through the telescoping essays, Stuart slowly extends his vision to encompass more of the world and humanity. He is conscious of the social and geographical forces that shaped and defined his life. He is also very aware of the forces that draw him home again. He saw his beloved Kentucky as many states in one. Each region -- from the east Kentucky mountains to the Jackson Purchase -- was a unique kingdom. Stuart brings Kentucky's varied scenery, its people, and their distinctive dialects and social customs to life for his readers.

Because of its central situation in the Eastern United States and the variety of habitats to be found within its borders, Kentucky has an interesting mixture of mammals, including some characteristic of the Deep South, the West, and the North. All 63 species native to the state are described and illustrated in this volume, the fifth in a series of guides to the wildlife of Kentucky.The book is conveniently arranged by orders, families, and species, and identification is facilitated by illustrated keys and by a series of dramatic color photographs. In the account of each species, the authors describe its distinguishing features, similar species with which it might be confused, its habitat, range, characteristic behavior, and life history. Much of the information in these accounts is drawn from the authors' personal observation of the animals in the wild and, in some cases, in captivity.

Widely acclaimed for its originality and penetration, this award-winning study of American thought in the twentieth century examines the ways in which the spread of pragmatism and scientific naturalism affected developments in philosophy, social science, and law, and traces the effects of these developments on traditional assumptions of democratic theory.

This fourth volume in the ten-volume series covers the career of Henry Clay during his first year as Secretary of State in the cabinet of President John Quincy Adams.Within a month after taking office, Henry Clay described the Department of State as "no bed of roses." Even though routine papers bearing his signature have been omitted by the editors, the 950 pages of documents included in this volume show that many duties filled Clay's days and nights. The evidence in autograph drafts and the meagerness of revision in the official documents indicate the need for major reconsideration of Clay's role in United States foreign relations during the presidency of John Quincy Adams.The range of issues emerging in these papers is broad, and the duties were obviously more than the limited staff of the Department of State could satisfactorily perform. But if, as a result, the United States suffered a major diplomatic defeat during the British revision of trade regulations, Clay's instructions to the Panama mission marked him as a statesman of world stature.Publication of this book was assisted by a grant from the National Historical Publications and Records Commission.