Models of non-European watercrafts are commonly found in museum collections in the UK and throughout the world. These objects are understudied, rarely used in museum displays and at risk of disposal. In addition, there are several gaps in current understanding of traditional watercraft from the Indian Ocean, the region spanning from East Africa through to western Australia. Using models of a range of boats from 13 museum collections throughout the UK, this book considers the value of these objects for both researchers and museums. The book explores how models can help us to understand traditional boats and boat-building practices, some of which no longer exist. Two case studies investigate a number of ideas about the physical attributes of these objects and how representative they are of full-size vessels. In addition, the wider cultural processes and contexts of the models are considered, including ideas about collecting, miniaturisation and the iconic symbolism of watercraft. The aim of this publication is to encourage the use of models of boats from the Indian Ocean and throughout the world in future studies of traditional watercraft. At the same time, the research presented here will help museums to re-evaluate the significance of model boats in their collections, and to use them in displays in the future to explore a range of narratives.

The current paradigm-changing ancient DNA revolution is offering unparalleled insights into central problems within archaeology relating to the movement of populations and individuals, patterns of descent, relationships and aspects of identity – at many scales and of many different kinds. The impact of recent ancient DNA results can be seen particularly clearly in studies of the European Neolithic, the subject of contributions presented in this volume. We now have new evidence for the movement and mixture of people at the start of the Neolithic, as farming spread from the east, and at its end, when the first metals as well as novel styles of pottery and burial practices arrived in the Chalcolithic. In addition, there has been a wealth of new data to inform complex questions of identities and relationships. The terms of archaeological debate for this period have been permanently altered, leaving us with many issues. This volume stems from the online day conference of the Neolithic Studies Group held in November 2021, which aimed to bring geneticists and archaeologists together in the same forum, and to enable critical but constructive inter-disciplinary debate about key themes arising from the application of advanced ancient DNA analysis to the study of the European Neolithic. The resulting papers gathered here are by both geneticists and archaeologists. Individually, they form a series of significant, up-to-date, period and regional syntheses of various manifestations of the Neolithic across the Near East and Europe, including particularly Britain and Ireland. Together, they offer wide-ranging reflections on the progress of ancient DNA studies, and on their future reach and character.

Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilisations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artefacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artefacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artefacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.

Cities are in a constant process of change and are the theater of interaction among people and their complex, historically multi-layered, culturally diverse living environment. Therefore, various interests, needs, and values affect these dynamics of interaction and urban change, which bring challenges and opportunities for the development of cities. Particularly, when urban development deals with such complex living environment and the management and conservation of both listed and non-listed heritage – as in the case of World Heritage cities – a variety of public and private, and global and local stakeholders are affected by processes of change. Inclusive approaches in the negotiation of these changes that involve all these actors is increasingly advocated for a more sustainable urban development. In the past three decades, the emergence of the so-called living heritage approach promotes the empowerment of those communities, groups, and individuals that keep heritage alive in participating in decision-making over the management of urban developments, and heritage management and conservation that affect them. The preservation of their continuous relationship with their heritage is considered key to fostering the mutual benefit of cities, heritage, and society. While research worldwide offers examples of best practices, the implementation of these approaches still faces many barriers and new challenges. This book aims to explore how (World) Heritage Cities are dealing with the preservation of their living heritage, what is needed for its effective management, what approaches are adopted, and what challenges and opportunities are encountered. Results offer an overview of current practices, which also include some of the first testimonies of their evolution in the time of a global pandemic (COVID-19), that can inform future research and urban strategies.

This book is a presentation of the basic concept of social, environmental and cultural connectivity in past societies, as embodied in a diversity of disciplines in the Cluster of Excellence ROOTS. Thus, rather pragmatically driven ideas of socio-environmental connectivities are described, which form the basis of the Cluster of Excellence in its research. A discussion of the fluidness of the term ‘connectivity’ and the applicability of the concept opens the arena for diverse interpretations. With various case and concept studies, the reader may advance into the perspectives that develop from the new interdisciplinary interaction. These include both rarely considered dependencies between nomadic and urban lifestyles, and aspects of water supply and water features, which represent an area of connectivity between the environment and agglomerated human settlement structures. Moreover, diachronic aspects are presented in various studies on the role of connectivities in the development of social inequality, the use of fortification or also waste behaviour, and the creation of linguistic features in written media. In sum, facets of connectivity research are revealed that are also being investigated in numerous other disciplines with further results in the Kiel Excellence Cluster ROOTS.

Plants have constituted the basis of human subsistence. This volume focuses on plant food ingredients that were consumed by the members of past societies and on the ways these ingredients were transformed into food. The thirty chapters of this book unfold the story of culinary transformation of cereals, pulses as well as of a wide range of wild and cultivated edible plants. Regional syntheses provide insights on plant species choices and changes over time and fragments of recipes locked inside amorphous charred masses. Grinding equipment, cooking installations and cooking pots are used to reveal the ancient cooking steps in order to pull together the pieces of a culinary puzzle of the past. From the big picture of spatiotemporal patterns and changes to the micro-imaging of usewear on grinding tool surfaces, the book attempts for the first time a comprehensive and systematic approach to ancient plant food culinary transformation. Focusing mainly on Europe and the Mediterranean world in prehistory, the book expands to other regions such as South Asia and Latin America and covers a time span from the Palaeolithic to the historic periods. Several of the contributions stem from original research conducted in the context of ERC project PlantCult: Investigating the Plant Food Cultures of Ancient Europe. The book’s exploration into ancient cuisines culminates with an investigation of the significance of ethnoarchaeology towards a better understanding of past foodways as well as of the impact of archaeology in shaping modern culinary and consumer trends. The book will be of interest to archaeologists, food historians, agronomists, botanists as well as the wider public with an interest in ancient cooking.

Hala Ghellali was eighteen years old when her father first took her to the market to buy her first silver bracelets. They visited traditional jewelers in the madina al-qadima, the old walled city of Tripoli. This single event in 1975, ignited her lifelong passion for traditional jewelry and costume items and she has been collecting objects and stories ever since. Her unique stories, personal observations, research and firsthand information about jewelry design and silversmithing fill this book. ‘Jewelry and adornment of Libya' aims to share with its readers a lifetime passion for the jewelry made in Tripoli and other areas of Libya. It includes a section dedicated solely to the role of jewelry and costume in Tripoli with narratives of traditional weddings, and traditions linked to jewelry gifting in the city. The book is dedicated to the local jewelers and masters of weaving and embroidery who have almost all disappeared, their art and skills not being passed on to the present generation. 

In three volumes, historian Jole Shackelford delineates the history of the study of biological rhythms - now widely known as chronobiology - from antiquity into the twentieth century. Perhaps the most well-known biological rhythm is the circadian rhythm, tied to the cycles of day and night and often referred to as the “body clock.” But there are many other biological rhythms, and although scientists and the natural philosophers who preceded them have long known about them, only in the past thirty years have a handful of pioneering scientists begun to study such rhythms in plants and animals seriously. Tracing the intellectual and institutional development of biological rhythm studies, Shackelford offers a meaningful, evidence-based account of a field that today holds great promise for applications in agriculture, health care, and public health. Volume 1 follows early biological observations and research, chiefly on plants; volume 2 turns to animal and human rhythms and the disciplinary contexts for chronobiological investigation; and volume 3 focuses primarily on twentieth-century researchers who modeled biological clocks and sought them out, including three molecular biologists whose work in determining clock mechanisms earned them a Nobel Prize in 2017.

In the early modern centuries, several European states issued pioneering regulations to protect what they thought of as “heritage” – that is, antiquities, monuments, and paintings considered important for their country’s splendour. These early protocols have had a substantial impact on the development of legal and aesthetic approaches to heritage protection in recent times.In this volume, legislation is explored from both a legal and art-historical perspective in order to understand how cultural, political, and social factors influenced the introduction of the first systems for safeguarding “precious artefacts” in early modern Europe. By comparing concepts and practices developed in different states, the narrative tracks down the origins of legislation for heritage protection, shedding light on the gradual development of new definitions of “antiquity”, “artwork”, and “monument” in the laws issued between the 1400s and 1700s.In the second part, the transcriptions of these regulations are presented together with their English translations: the original texts were in early modern Italian, Spanish, Swedish, Portuguese, Danish, Dutch, German, and Latin. Such a systematic apparatus offers a robust research instrument to scholars and academics worldwide, also constituting a fascinating read for broader audiences interested in the history of heritage protection.

Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question.Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.

Modern receptions of Graeco-Roman Antiquity are important ideological markers of the ways we envisage our own twenty-first-century societies. An urgent topic of study is: what kinds of narratives – sometimes controversial – about Antiquity do people create for themselves at this moment in time, and for what reasons? This volume aims to showcase a number of illustrative examples, and thus to provide a deeper understanding of twenty-first-century reception of Antiquity.After a general introduction in Part I, the volume focuses on two main fields: controversies referencing ancient and modern literary works; and controversies surrounding heritage ethics. Part II takes literary evidence from the USA to Italy as its starting point: it shows how metaphors about early Christianity find their way into American conservative discourse; how Sparta is evoked in right-wing thinking in the USA, Germany, France and Scandinavia; and how Aeneas plays a role in recent Italian debates on migrations. The last paper discusses the depiction of classicists in modern novels. Part III focuses on heritage ethics and material culture, in first instance taking practices at the Dutch National Museum of Antiquities (Rijksmuseum van Oudheden) – on the display of death, queering and orientalism - as case studies. The last paper delves into the history of the Via Belgica to show how antiquity has been weaponised for political aims for many centuries. Together, these papers show that academics should engage with the receptions of antiquity in the recent past and present. If they want their research and museum displays to be part of current reception, they should make their voice heard.