Sites Unseen challenges conventions for viewing and interpreting the landscape, using visual theory to move beyond traditional practices of describing and classifying objects to explore notions of audience and context. While other fields, such as art history and geography, have engaged poststructuralist theory to consider vision and representation, the application of such inquiry to the natural or built environment has lagged behind. This book, by treating landscape as a spatial, psychological, and sensory encounter, aims to bridge this gap, opening a new dialogue for discussing the landscape outside the boundaries of current art criticism and theory. As the contributors reveal, the landscape is a widely adaptable medium that can be employed literally or metaphorically to convey personal or institutional ideologies. Walls, gates, churchyards, and arches become framing devices for a staged aesthetic experience or to suit a sociopolitical agenda. The optic stimulation of signs, symbols, bodies, and objects combines with physical acts of climbing and walking and sensory acts of touching, smelling, and hearing to evoke an overall \u201cvision\u201d of landscape.Sites Unseen considers a variety of different perspectives, including ancient Roman visions of landscape, the framing techniques of a Moghul palace, and a contemporary case study of Christo's The Gates, as examples of human attempts to shape our sensory, cognitive, and emotional experiences in the landscape.

Healing Appalachia is the first book to apply "appropriate technology," or the simplest level of technology that can effectively achieve the desired result, specifically to the Appalachian region. The authors examine thirty low-cost, people-friendly, and environmentally benign appropriate technologies that are concerned with such issues as food preservation, land use, shelter, and transportation. They pay close attention to the practicality of each technique according to affordability, ease of use, and ecological soundness. Details on construction and maintenance and resources for locating further information are included, making this an essential volume for everyone who cares about the future of Appalachia.

With a Foreword by Roger W. Moss Although Clay Lancaster (1917-2000) established himself as an expert on New York brownstones and California bungalows, the nationally known architectural historian also spent four decades photographing architecture in his native Kentucky. Lancaster had no flash bulb, no tripod, no close-up or wide-angle lenses, but he had a good eye and a love for his subject, producing photos that are works of art as well as documents of local history. Many of the buildings he photographed have been demolished, while others have been restored. Displaying over 150 starkly beautiful black-and-white images alongside James D. Birchfield's insightful commentary, Clay Lancaster's Kentucky not only reveals the architectural treasures found in the Bluegrass State but also demonstrates the vision of an artist.

This edited volume of forty-four papers on terracottas opens with a section on New Research , followed by five geographical sections on: Etruria; Umbria and Abruzzo; The Faliscans, Rome and Latium; Campania and Magna Graecia; and Sicily. The terracottas in question are the various parts of roofing systems used by the ancient Italians Italic, Etruscan and colonial Greek and cover both domestic and temple architecture. Thirty-three papers are in Italian, nine in English and two in German.

The initial aim of the Danish archaeological campaigns in Bahrain was to look for settlements contemporary with the "Hundred Thousand Gravemounds". After the first few campaigns it was evident, however, that the island was such a rich archaeological field that investigation of all periods from the earliest flint-using culture to the later Islamic world was called for. Among the Islamic remains was an exceptionally fine collection of Early Islamic pottery and glass recovered from the rubbish which filled up a well at the Barbar site where a temple from around 2000BC was excavated. These remains are published in this volume along with finds from the Islamic settlement at the Qala'a mound, especially the Islamic Fortress.

This is the first thorough guide to the design and history of "Kentuck," a splendid mountain house in southwestern Pennsylvania designed in 1953-1954 by Frank Lloyd Wright. Inspired by Fallingwater, the famous house only seven miles away that Wright designed above the waterfalls of Bear Run, local businessman I. N. Hagan and his wife, Bernardine, commissioned the 86-year-old Wright to design this home. Kentuck, constructed on an isolated knoll, or knob, is now owned by Lord Palumbo of London and is open for public tours. This vivid account tells the story of how the house came to be, detailing the many complexities faced by the Hagans—from the delights and difficulties in dealing with Wright to the problems with topography and architectual plans. In fulfilling Wright's vision, the Hagans and their contractor managed to construct a building of great beauty, dignity, and serenity. More than fifty photographs, drawings, and diagrams accompany a detailed descriptive text to illustrate how the peculiarities of the plan, based on the equilateral triangle, resulted in a house that generates countless vistas, indoors and out, and spatial effects of great charm and intimacy. Frank Lloyd Wright's House on Kentuck Knob brings to life an unusual work of residential architecture. It is the perfect introduction to Kentuck, and for those who have visited there, a lovely reminder of this luminous but modest house.

Thomas J. McCormick, a noted scholar of the century of Enlightenment, examines the phenomenon of the creation of man-made ruins as an architectural form. Picturesque grottos, Gothic Temples and "ruins to be inhabited by a hermit" are the focus of McCormick's study as he looks at these frequently playful yet melancholy monuments.

Accompanying a year-long exhibition at the University of Kentucky Art Museum, A Place Not Forgotten explores the distinctiveness of Southern landscape painting from the early nineteenth century through the 1940s. More than twenty-five color reproductions are accompanied by essays on southern art and culture by William W. Freehling, Singletary Professor of Humanities at the University of Kentucky; Jessie Poesch, professor emerita of art history at Tulane University; and J. Richard Gruber, director of the Ogden Museum of Southern Art in New Orleans. Brief commentaries from Wendell Berry, Guy Davenport, John Egerton, James Baker Hall, Sally Mann, Bobbie Ann Mason, Ed McClanahan, Robert Morgan, Gurney Norman, Chris Offutt, Estill Curtis Pennington, and Sarah Tate on the nature of the southern landscape and its impact on literature and experience expand the project beyond that of a mere exhibition catalog."

Saint Sophia is surely one of the most-discussed buildings in the history of architecture. .

Two-Volume Set. This is the last volume in the series of reports from the Danish excavations on the ancient Tall of the important Syrian site and town of Hama. It presents the medieval architecture of the mound from the Arab conquest in 636 to 1401 when the citadel of Hama was destroyed by Timur Lenk. The excavations revealed that the early Islamic town was not as insignificant as previously believed. The periods of Hama's greatest strength were, however, the 12th and 13th centuries, when many different structures were built on the mound, such as a bath, mills and other industrial structures (among these a workshop for the production of grenades). Its fortifications mainly dated from the 12th century, although an older Byzantine wall was also found.

From the busy streets of Tokyo to the secluded shores of Kyushu, from the volcanoes of Hokkaido to the temples of Kyoto, the treasured landscapes of Japan are brought to life in this concise visual guide. Drawing upon years of observation, Cotton Mather, P.P. Karan, and Shigeru Iijima explore the complex interaction of culture, time, and space in the evolution of landscapes in Japan. The authors begin with a discussion of the landscape's general characteristics, including paucity of idle land, scarcity of level land, and its meticulous organization and immaculate nature. They then apply those characteristics to such favorite subjects as home gardens, sculpted plants, and flower arrangements, but also to more mundane matters such as roadside shoulders, utility lines, and walled urban areas. This unique blending of physical and social sciences with humanities perspectives offers a unified analysis of the Japanese landscape.

Japan is one of the most crowded countries on earth, with three-fourths of its population now living in cities. Tokyo is easily the most populous city on the planet. And yet, though closely packed, its citizens dwell together in relative peace. In America, inner-city violence -- often attributed in part to overcrowding -- is frequently emphasized as one of the great social problems of the day. What might we learn from Japan's situation that could be applied to our own as we approach the twenty-first century?In this collection an interdisciplinary group of international scholars seek to understand and explain the process and characteristics shaping the modern Japanese city. With frequent comparisons to the American city, they consider such topics as urban landscapes, the quality of life in the suburbs, spatial mixing of social classes in the city, land use planning and control, environmental pollution, and images of the city in Japanese literature.The only book on the subject, The Japanese City surveys the important literature and highlights the current issues in urban studies. The numerous photographs, maps, tables, and graphs, combined with the high quality of the contributions, offer a comprehensive look at the contemporary Japanese city.Contributors: William Burton, David L. Callies, Roman Cybriwsky, Kuniko Fujita, Theodore J. Gilman, Richard Child Hill, P.P. Karan, Robert Kidder, Cotton Mather, and Kohei Okamoto.

A new edition of this long unavailable classic reproduces photographic prints made from original negatives and features an extensive analytical introduction by the noted architectural historian Dell Upton.Before the 1936 publication of The Early Architecture of Western Pennsylvania, the architectual heritage of a region prominent in the history of early America had been almost totally neglected. Based on a four-year survey conducted by the Pittsburgh chapter of the American Istitute of Architects, Charles Morse Stotz's book provides the definitive description and analysis of structures ranging from log houses to colonial and Georgian structures to examples of the pre-Civil War Gothic revival. The volume defines the local architectural idiom as an expression of the frontier and early industrial societies that played such an important part in the history of nineteenth century America.This oversized volume of 416 black-and-white photographs, 81 measured drawings and an extensive text presents a splendid array of early dwellings, barns, and other outbuildings, churches, arsenals, banks, inns, commercial buildings, tollhouses, mills, and even tombstones. Time has proved this work to be the definitive record of an architectural heritage that was fast disappearing with the economic boom of World War II and the postwar years.The Early Architecture of Western Pennsylvania is also a work of precision, beauty, and integrity. The drawings ignore alterations made after 960 and shoe the buildings in their original condition, giving special attention to details such as window sashes, shutters, cornices, and roofs. The floor plan of each structure is included, and line drawings display the profiles of moldings and ornamentation. Signature stones and hardware convey the quality of the early craftsmen's work. In all cases, stone joining has been faithfully drawn, joint for joint, to record the charm of old wall patterns.This new edition makes a landmark book available to a new generation of readers - one especially aware of the importance of architectural preservation and guarding the history of the Western Pennsylvania region.

A concise and amply illustrated introduction to Kentucky folk structures--log cabins, houses, cribs, and barns--that should be treasured as irreplaceable expressions of the cultural values of the Commonwealth's past.