A study of the life and background of ʿAbd al-Qādir al-Jīlānī, putative founder of the Qādiriyya order, investigating the sources for his life and attributed works. The book seeks to elucidate the ideas of al-Jīlānī, and to formulate a picture of the most prominent trends of pious and mystical thought in Baghdad during the twelfth century, providing a cultural and geographical angle to the study of Islamic mysticism and piety.

This monograph examines the principle of dispensation in the Qur'an, which seems to be, if not unique, articulated in a new manner compared to previous religions (cf. Deut 12,32). The Qur'anic dispensations have never been systematically studied and this monograph aims to fill this vacuum in the fields of Qur'anic studies and the Study of Religion.

The Kitāb al-Aghānī (the Book of the Songs) stands as one of the most important extant sources for Arabic literature and Islamic history. Compiled during the first half of the tenth century, the Kitāb al-Aghānī emerges from a pivotal period in the formation of Islamic sectarian identities, a subject of keen and ongoing scholarly debate that is fundamental to our understanding of the later development of Shīʿī Islam. While its compiler, Abū al-Faraj al-Iṣfahānī (died after 356/967), is generally viewed as a 'Zaydī Shīʿī', no in-depth study has investigated what can be gauged from the Kitāb al-Aghānī about his sectarian perspectives.   The present study addresses the question of whether or not al-Iṣfahānī's sectarian leanings can be discerned from the Kitāb al-Aghānī through an analysis based primarily on redaction criticism. By examining the compiler's editorial interventions, this book argues that al-Iṣfahānī, to some extent at least, presents past people and events central to the Shīʿī worldview in accordance with his sectarian affiliation. Furthermore, this work questions the label 'Zaydī' that is commonly associated with al-Iṣfahānī. Based on textual analyses of the Kitāb al-Aghānī, as well as on evidence from his Maqātil al-Ṭālibīyīn ('The Ṭālibid Martyrs') and other sources rooted in the tenth-century milieu, this book suggests that al-Iṣfahānī's religious thought can be construed as a 'mild' form of Shīʿism - in the sense that it neither comprises belief in a specific lineage of imams, nor repudiation of most of the Companions including the first three caliphs. However, it cannot necessarily be identified with any sect, as set down in the heresiography.

Islam is not homogeneous. Its complexity, however, is bewildering for non-Muslims, most of whom know little or nothing of Islam, and generally – like Pope Francis – see it as a peace-loving religion. Others find this claim difficult to accept in the light of the violence and cruelty perpetrated in the name of Allah by Muslim fighters against innocent fellow citizens who are not Muslims, and also against many fellow Muslims. Paul Stenhouse’s deep scholarly interest in Samaritan history and traditions has taken him on intellectual and literary paths ‘continually crisscrossed by Islam and its Qur’ān, Islamic Law and Islamic history’. Here, he seeks to offer some light on the background to tragic events unfolding throughout the Middle East, Africa, Pakistan, and Central and Southeast Asia, as well as in the USA, Europe, the UK and Oceania.

Despite their distinct theological differences, Shi'a and Sunni Muslims, followers of the two main branches of Islam, share a number of core beliefs including an allegiance to and love for the Prophet Muhammad and members of his family. For Shi'a Muslims, reverence for the Prophet and allegiance to his household (Ahl al-bayt, 'People of the House'), comprising his immediate family and their descendants, constitutes an essential principle of belief that has directly impacted how Shi'i artists, rulers, patrons and ritual participants have conveyed their love and loyalty through material culture and religious ritual. The 22 essays in this volume, richly illustrated with over 200 coloured images, present a diversity of beliefs and practices expressed through the arts, architecture, material culture and ritual that spans Shi'i history from the tenth century to the present day. With contributions from experts in the fields of anthropology, religious studies, art and architectural history, numismatics, film studies and contemporary art, the book also calls attention to the global diversity of the artistic and devotional expressions ofShi'a Muslims from across Trinidad, Senegal, Egypt, Syria, Iraq, Iran, Pakistan, India and China. Additionally, some essays draw upon important female Shi'i figures and female ritual practices and many chapters underscore the theme oflove for the Ahl al-bayt beyond Sunni and Shi'i demarcations. This work contributes to a growing body of scholarship dedicated to the religious arts and rituals ofShi'a Muslims around the world.