Land was the ideal store of wealth in the ancient Mediterranean world. It brought social respectability, and its possession allowed participation in the politics of the cities governed by landowning elites. Crucial defense of the interests of a given polity through armed services often involved the distribution of lands to laborers still not integrated in these societies. Mediterranean urban dynamics also involved paid labor and were always in need of short-contract manpower, including skilled soldiers and warriors. For short-time military services, lands were not always available so soldiers and warriors were paid with coins and riches.Because of their superior development, urban economies in the Mediterranean were able to attract migrant paid labor. When returning home, the migrant warriors carried coins and riches that would enable them to maximize the return that a homecoming entailed. Although difficult to prove whether these men were paid in advance or when discharged, it is an important issue as it shows the strength of one contractor over another and helps to better understand the construction of statehood in ancient and early medieval times.This collection of papers sheds light on how coins, riches, and lands were gained and distributed among soldiers, warriors, and mercenaries. Contributions cover a wide chronological span from Late Pharaonic to early medieval times, linking a well-defined core area, the Mediterranean basin, with its peripheries: Central Europe and Scandinavia to the north and the margins of the Sahara Desert and the Fertile Crescent to the south and the east.

Fenster sind multifunktionale Bauteile, die sich sowohl nach Innen als auch nach Außen richten. Sie geben uns durch ihre Zahl, Größe und Art ihrer Verschlüsse wichtige Hinweise auf die Benutzungsarten und -zeiten der jeweiligen Räume, in denen sie angebracht sind. Darüber hinaus sind sie in der Lage zusammen mit dem decor eines Raumes eine Atmosphäre zu schaffen, in manchen Fällen sogar eine von der realen Welt entkoppelte Heterotopie. Zwar waren die Häuser und Thermen der Römer schon lange Gegenstand archäologischer Untersuchungen, doch blieb eine grundlegende Beschäftigung mit ihren Fenstern bisher aus oder sie erfolgte nur in einzelnen Aufsätzen. Das vorliegende Buch bündelt das Desiderat der Forschung und schließt bestehende Forschungslücken in Bezug auf deren Konstruktionen, Verschlüsse und Ausstattungselemente. Es zeichnet die Entwicklungsgeschichte dieses Bauteils über mehr als 500 Jahre Architekturgeschichte nach und berücksichtigt dabei nicht nur dessen pragmatische Funktionen, sondern auch seine kognitiv-sensualistischen.English abstractWindows are multifunctional elements within roman architecture. Their number, size, and type of shutters help us understand the use of architectural spaces within their time. Windows, together with the décor of such spaces, are able to create certain atmospheres, sometimes even heterotopias, which are dissociated from the real world. Whereas houses and baths have been studied for a long time, the analysis of windows and their functions was often neglected and has been the subject of only a few articles.This book aims to summarize research results and close the gap of research regarding methods of window and shutter construction and their features. It traces the evolution of windows over more than 500 years of architectural history, taking into account not only their pragmatic functions but their cognitive-sensualistic effects as well.

For over 60 years, spectacular discoveries have been made on a wooded hillside at Snettisham, overlooking the northwest Norfolk coast, close to Hunstanton. The location of the discoveries, at Ken Hill, is known as the ‘gold field’ because of the large number of gold and silver alloy neck-rings (‘torcs’) and coins recovered from the site. Known as the ‘Snettisham Treasure’, these objects represent one of the largest collections of prehistoric precious metal objects ever discovered, and one of the largest concentrations of Celtic art. The objects were found in at least 14 separate hoards buried between 150 BC and AD 100 – spanning the late Iron Age and early Roman periods, but with a peak of activity during the late Iron Age. The objects from Snettisham are widely known, but the site has never been fully published. This book is the first comprehensive account of the discoveries and excavations at the site and presents a full catalogue of the finds. The majority are in the British Museum, with a significant collection also held by Norwich Castle Museum. The book also presents the results of extensive scientific analysis, revealing new and exciting details about how torcs were manufactured. The final section places Snettisham in its wider social and landscape context. The authors argue that each hoard represents different collection and depositional histories. The repeated, yet varied, acts of deposition at the site were part of creating, negotiating and reinforcing social structures, as well as performing and creating social change.

This is a facsimile reissue of part I of H.M. Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 200 monuments of the New Kingdom are described, translated and illustrated with comments on techniques and materials, and details of provenance, date and bibliographical references. The first section deals with royal monuments, mainly from the Theban mortuary temples and the Memphite temple of Ptah. This is followed by a section on relief sculptures for Amarna. Funerary stelae are divided into Osirian and Solar types and are followed by the votive stelae of private individuals. Many of the finest reliefs come from private tombs. The descriptions are accompanied by 53 plates of detailed scale line drawings. More than two-thirds of the monuments had never been published before this catalogue appeared and it was hailed, and remains, a major resource for scholars into this spectacular period.

This is a facsimile reissue of part III of H.M Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 140 monuments, primarily of the Late Period are described, translated and illustrated with comments on techniques and materials, and details of provenance, date and bibliographical references. Royal and official monuments are more sparsely represented than for the earlier periods but include several items of particular interest, including a stela with a long hymn to Osiris and another recording a work of restoration at Abydos under Osorkon I. the continuing development of private stelae includes a common type showing owner at worship with many examples displaying scenes and inscriptions painted rather than carved on wood or limestone. Small votive stelae are dedicated to, for example, Thoth, Min, Ptah and Isis and include magical stelae intended to cure snake bites, scorpion stings etc. The catalogue also includes miscellaneous statute fragments, some being more recently identified pieces from earlier periods, including those identified as representing prince Khaemwesat, son of Ramesses III and Rekhmire, vizier of Tutmoseis III. The descriptions are accompanied by 48 plates of detailed scale line drawings.

This year, with the centennial of Howard Carter’s discovery of the tomb of Tutankhamun, Martin Hense is presenting his meticulous research on the robberies that took place in the tomb of this Egyptian pharaoh, 3300 years ago. This book is the outcome of that research, presented like a true ‘cold case crime investigation’. Even though the tomb robberies took place more than 3300 years ago, the evidence for the way the robbers entered the tomb and the items they removed, could still be discerned when Howard Carter opened the tomb in 1922. Knowingly, but also unknowingly, Carter documented the last traces of evidence of these crimes. Now, one hundred years later in 2022, the evidence for the different robberies is presented through new analysis of the documentation of Howard Carter and his excavation team.

5,000 years ago, a migration shaped Europe’s future. Migrating communities spread across Europe within two centuries, leaving lasting changes in interconnectivity, language, and ancestry. Yet these migrating communities did not enter an empty continent. Across Europe, they encountered indigenous communities with millennia-old roots. What interactions between migrating and indigenous communities gave rise to those lasting changes?This study sheds new light on this question with an innovative approach to ceramics. Ceramics bear traces of the production techniques which potters learned and applied to create them. The approach developed here combines a chaîne opératoire analysis of these traces with network analysis and probability theory to provide a quantitative estimate of the amount of shared knowledge between the prehistoric potters who made these ceramics.This approach is applied to ceramics from migrating Corded Ware communities and indigenous Funnel Beaker West communities in the Netherlands. The aim is to detect whether potters in these communities interacted and shared knowledge. The outcomes offer a unique perspective on this period and prehistoric migrations in general. Migrating and indigenous communities are shown to co-exist for several centuries at the start of the third millennium BCE with evidence for migrant potters learning repeatedly from indigenous potters and incorporating this knowledge into the production of Corded Ware vessels.

In 1896 a remarkable hoard was discovered near Ommerschans in the eastern Netherlands that included a spectacular object: a giant bronze sword. It was obtained by the landowner and kept by a forester, until it was first documented by archaeologist J.H. Holwerda in 1927. For over 85 years it remained in private ownership and inaccessible to science. Over time this sword, or rather dirk, would prove not to be a singular exception. Instead it is now part of a select family of six discovered in England (Oxborough and Rudham), France (Plougrescant and Beaune) and the Netherlands (Jutphaas and Ommerschans). In 2017 the Ommerschans hoard was obtained by the Dutch National Museum of Antiquities, bringing all six into the public domain.The Plougrescant-Ommerschans type swords are some of the most spectacular finds of the European Bronze Age. They are extremely rare, beautiful, expertly crafted and too large and heavy to wield as weapons. Furthermore, their strong resemblance seems to have been crucial, as all six are extremely alike in design, decoration, metal composition and size (with the exception of Jutphaas). But why?This book aims to unravel some of the mysteries surrounding this exceptional group of larger-than-life Bronze Age blades. It offers a detailed overview of the discovery and find context of the Ommerschans hoard, as well as a physical description and analysis of all finds. Also included is a comparative overview of the other five swords, including the primary publication of the Rudham dirk. The findings are subsequently interpreted focusing on their contextualisation within Bronze Age deposition practices, the importance of the visual cohesion of this group, the power and role of aggrandised objects and their potential purpose within the social and metaphysical realm of Bronze Age communities.

“The entry of daggers into the Forum” is an expression that identifies two precise historical moments: when two tribunes of the plebs—brothers Tiberius Sempronius Gracchus and Caius Sempronius Gracchus—were murdered in Rome in 133 and 122 BC amidst bloody riots. These deaths and subsequent events marked the rupture of the constitutional order in the Roman Republic and the beginning of a political crisis. Thus began a political process that would lead, over the span of three generations, to the end of the res publica, a transition of endless violence, ransacking, and destruction, including three bitter and bloody civil wars. Internal politics in Rome in this period was fueled by social conflict, the confrontation between two political alignments—the Optimates and the Populares—each headed by an eminent figure and was characterized by sectarianism and (factional) intolerance. It was characterized by speeches delivered in the Senate, in the streets, and in the courts with solemnity and intensity but equally by the daggers that flashed in the hands of conspirators and assassins; by street riots, with thousands of victims; by real or alleged coups d’état, with ferocious mass repressions; by summary executions; by victims abandoned to the fury of the mob; of widespread civil wars whose battles intertwined with those against enemies abroad; manhunts, horrendous crimes; the system of legalized killings that aimed at the annihilation of political opponents known as proscriptions; corruption; and brutal and mass killings.This book discusses this tumultuous period in Rome between 133 and 78 BC, covering the plots of the Senate of Rome against the Gracchi and their violent ends, the mysterious death of Publius Cornelius Scipio Aemilianus, destroyer of Carthage and of Numantia, the ferocious lynching of Lucius Apuleius Saturninus, the seditious tribune of the plebs, the civil war between Marius and Sulla, including the siege and capitulation of Rome and Marius’ reign of terror, ending with the definitive victory and proscriptions of Sulla.

This volume has been written in honour of Professor Annelou van Gijn in order to celebrate her distinguished career as an archaeologist and, above all, as an expert in the study of material culture. Annelou started her research with the use-wear analysis of prehistoric flint from the Netherlands, and she extended her interests in every possible direction: time, space, materials and technologies. This volume has been compiled to reflect the broad oeuvre of her work. It focuses on the biographies of a wide range of artefact types made from an equally wide range of materials from Mesolithic and Neolithic Europe, but also glimpses beyond into other periods and geographic regions. The papers focus on different aspects of artefact biographies including raw material acquisition, artefact production, use, and discard, and even the afterlife of objects in our modern society. The objects in question include quotidian tools such as querns and harvesting tools, adhesives that held objects together, and elaborate objects such as maceheads, jewellery, and flint superblades.Whatever the subject of Annelou’s individual publications, at the heart of all of her work is the love of objects and the stories that they have to tell us. The stories in this bundle are a testament of her contagious enthusiasm.

The discovery of the tomb of Tutankhamun in 1922 stands out as one of the most important finds of modern archaeology, revealing an enormous wealth of objects encapsulating techniques, vestiges of uses and re-uses of materials, as well as unrivalled clues regarding the complex set of beliefs associated with the pharaonic funerary material culture. Once cleared from the tomb, these objects have captivated the world with their irresistible charm and beauty ending up playing a role in contemporary popular culture. However, it seems that such magnetism rather hindered than facilitated the scholarly study of the find. One hundred years after the discovery of this magnificent tomb, most of its objects remain insufficiently studied to this day. This volume aims to show how it remains challenging to study Tutankhamun’s objects, gathering a collection of studies authored by leading scholars on conservation, materials, funerary beliefs as well as the reception of motifs and the impact of the discovery. Through these studies it becomes clear how ancient objects can help us reconstruct the complex fabric of the ancient Egyptian society and how they keep interacting with modern audiences.

Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The essays within the volume engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences - postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few - as well as through the more traditional approaches within Classics of philology, historicism, performance studies and reception. The essays cover a relatively narrow range of tragic and comic plays, instead of encompassing the entirety of ancient drama, in order to foster meaningful links throughout the volume and to exemplify the value of engaging with the senses to produce new understandings of drama - and of the senses themselves. As a result of the volume, the study of Greek drama will be opened up for further research. This will not only appeal to Classicists interested in the meaning of the comedies and tragedies of the fifth century BC, but it will also be of interest to scholars interested in sensory approaches to literature. Above all, Sensing Greek Drama will serve as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.

Recent research has uncovered new evidence of long-distance interactions between Scandinavia and Iberia during the Late Bronze Age. Advances in various lines of inquiry, such as 3D recording of rock art, iconography, metals and amber sourcing, linguistics, and, to some extent, more indirect indications from human remains, as reflected by strontium and aDNA results, have made this possible. The main goal of this book is to cross reference Iberian Late Bronze Age warrior iconography with Scandinavian warrior iconography. However, we will also account for links based on archeometallurgical evidence, linguistics, and other lines of inquiry, such as Baltic Amber, and metal artifacts. The results have been produced within the framework of the RAW project, an international undertaking funded by the Swedish Research Council. The RAW project is motivated by the discovery of isotopic and chemical evidence for Nordic Bronze Age artifacts made of copper that originated in the Iberian Peninsula. These findings led to re-opening two long known, but poorly explained, phenomena: 1) numerous shared motifs and close formal parallels in the rock art of Scandinavia and Iberian ‘warrior’ stelae, and 2) a large body of inherited words shared by the Celtic and Germanic languages, but not the other Indo-European branches. An integrated explanation for the three phenomena (Iberian metal in Scandinavia, parallels in Bronze Age rock carvings, and Celto-Germanic vocabulary) could now be formulated as a testable hypothesis: an episode in the Bronze Age when materials and ideas were exchanged over long distances between Scandinavia and the Atlantic West, including the Iberian Peninsula.

The tombs, with their scenes, inscriptions, objects and human remains, represent our richest source of information for the understanding of Egyptian beliefs and practices, art and architecture and of many aspects of daily life. Detailed, scholarly reports on individual cemeteries and tombs are abundant but in this fully illustrated, more general work, reproduced in this facsimile edition, Kanawati provides an invaluable introduction to, and overview of, the key elements of Egyptian tombs from Predynastic to the Late Period. ¬The Egyptian dead enjoyed a continued existence in both the Netherworld and the land of the living – the individual possessing multiple entities that experienced different destinies after death. ¬The tomb provided an everlasting earthly dwelling and consisted of a chapel above ground where the deceased’s cult was maintained and offerings presented, and a burial chamber for the body. Either or both could be richly decorated with paintings, reliefs and inscriptions. Kanawati describes and illustrates the principal forms and features of architecture and nature and subject matter of decoration and demonstrates how tomb design and decoration changed through time.

This volume is a facsimile reissue of the full publication of the tomb identified as that of Amenemhab, a middle ranking priest of Amon. ¬The tomb lies within the lower enclosure of the major cemetery of Elwet Sheikh-Abdel Qurnah in ¬Thebes. It is cut into a perpendicular cliff of limestone and shale and is one of the private, so-called house-like chapel tombs of local dignitaries, mainly dating to the Ramesside Period. The plan is a common form for Theban tombs, comprising a short entranceway leading into a broad hall, an axial passage and a long hall or shrine with a niche and it is oriented north-east to south-west with a maximum length of c. 9.3 m. ¬There are no side chambers or columns. The tomb decoration was first recorded by Sir Robert Mond but not published by him. Although richly furnished with brightly coloured paintings and text, much of the decoration was badly degraded and damaged. The burial shaft was not discovered. In this volume Hassan El-Saady provides a summary description of the tomb itself with a panel by panel description of the inscriptions and paintings, accompanied by photographs and explanatory line drawings. He identifies the owner of the tomb and members of his family, and though close dating of the tomb is difficult as no ruling pharaoh is alluded to anywhere within it, scrutiny of the style, content and arrangement of both the actual tomb and the decoration points to the reign of Ramesses II.

The tomb of Re‘-wer lies in the south-eastern corner of the mortuary temple of King Teti, first King of the 6th Dynasty, beside the pyramid of Teti, in the Old Kingdom necropolis at Saqqara. Excavations in 1906–7 and in the early 1920s were not published and the tomb was re-excavated and partly restored in 1975–7. It comprised a paved courtyard within a temenos containing the rectangular chapel tomb, with surviving structure built of fine quality limestone blocks in inner and outer walls. It is unusual in having two false doors in the west wall. The roof was missing. Nothing was recovered from a burial shaft that lies close to the tomb. The walls and false doors are adorned with inscriptions and reliefs. ¬This facsimile reissue of Said el-Fikey’s detailed description of the surviving structure, decoration and transcription of the inscriptions is accompanied by a full set of photographs and illustrations. No biographical text survived and the author considers the possible date of the tomb in relation to the adjacent architecture and the style of the reliefs, concluding that it most likely dates to the reign of Pepi I. He discusses indications for the personality, family situation and official position of Re‘-wer, which may suggest that he was father to a wife of King Pepi and that both were disgraced for some reason.