Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. This two-volume publication presents a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and re-erected (incorrectly) in 1557 under Queen Mary. Large areas of missing mosaic were replaced with plaster on to which mosaic designs were carefully painted. This 16th-century fictive mosaic is unique in Britain. Conservation of the sanctuary pavement was accompanied by full archaeological recording with every piece of mosaic decoration drawn and coloured by David Neal, phase plans have been prepared, and stone-by-stone examination undertaken, petrologically identifying and recording the locations of all the materials present. It has revealed that both the pavements and tombs include a range of exotic stone types. The Cosmati study has shed fresh light on every aspect of the unique series of monuments in Westminster Abbey; this work will fill a major lacuna in our knowledge of 13th-century English art of the first rank, and will command international interest.

The idea that the past was an era with long periods of little or no change is almost certainly false. Change has always affected human society. Some of the catalysts for change were exogenous and lay in natural transformations, such as climate change or plant and animal diseases. Others came from endogamous processes, such as demographic change and the resulting alterations in demographic pressure. They might be produced by economic changes in the agrarian economy such as crop- or stock-breeding or better agricultural husbandry systems with the resultant greater harvests. Equally, they might be from technological developments in industry and manufacturing affecting traditional forms of production. We should also note changes in ideology within society and even between principal groups, such as secular and ecclesiastical bodies. We need to consider the impact of politics and warfare.These innovations, transmissions and transformations had profound spatial, economic and social impacts on the environments, landscapes and habitats evident at micro-, meso- and macro-levels. Changes, alterations and modifications may affect how land was worked, how it was organized, and the nature of buildings and rural complexes (homesteads, work buildings, villages, monasteries, towns and landscapes). The authors of the 36 papers focus in particular on transmissions and transformations in a longue durée perspective, such as from early medieval times (c. 500AD) to the High Middle Ages (c. 1000/1200 AD), and from medieval to post-medieval and early modern times (1700). The case studies include the shrinking and disappearance of settlements; changes in rule and authority; developments in the agrarian economy; the shift from handwork to manufacturing; demographic change.

Until now insular and continental material, mostly metal-work, found in pagan Viking Age graves in Norway, has been interpreted as looted material from churches and monasteries on the British Isles and the Continent. The raiding Vikings brought these objects back to their homeland where they were often broken up and used as jewellery or got alternative functions. Looting or Missioning looks at the use and functions of these sacred objects in their original Christian contexts. Based on such an analysis the author proposes an alternative interpretation of these objects: they were brought by Christian missionaries from different parts of the British Isles and the Continent to Norway. The objects were either personal (crosses, croziers, portable reliquaries etc.), objects used for baptism (hanging bowls), equipment to officiate a mass (mountings from books or reading equipment, altars or crosses) or to give the communion (pitchers, glass vessels, chalices, paten). We know from contemporary sources (Ansgar in Birka, Sweden in the ninth century) that missionaries brought this sort of equipment on their mission journeys. We also hear that missionaries were robbed, killed or chased off. Mikkelson interprets the sacred objects found in Viking Age pagan graves as objects that originate from the many unsuccessful mission attempts in Norway throughout the Viking Age. They changed function and were integrated in the pagan tradition.The conversion and Christianisation of Norway can thus be seen as a long-lasting process, at least from about 800 (but probably earlier) to the beginning of the eleventh century. As we must assume that the written sources on the subject are incomplete, the archaeological evidences are the main source. In addition to metal work and written sources, the dating and interpretation of stone crosses, rune stones, manuscript fragments and early Christian graves and churches are discussed. The main part of the manuscript regards the context of all these sources, studied in each part of Norway separately: Where do we find concentrations of objects that could support the interpretation of these being the result of mission attempts, and where can we combine archaeological and written sources to tentatively create more complete stories related to mission? One analysis is of special interest to British and Norwegian scholars and even a broader audience. It refers to the chieftain Ohthere from Northern Norway, who visited King Alfred the Great in Winchester in 890. The author finds a link between Alfred´s court and Ohthere´s farm which, it is argued, for was Borg at Vestvågøy, Lofoten, where the biggest Viking Age house in Northern Europe has been excavated. In the hall of this house were found a rare glass beaker with gold cross decorations, a Continental or British made pitcher, pieces of a bronze bowl and an æstel of gold. This last piece is only found in Northern Norway and in England, with Wessex and Mercia as the core areas. “The Alfred Jewel” (Ashmolean Museum) is also an æstel of the same main type, but much more splendid and with an inscription relating it to King Alfred. Mikkelson argues for a bishop being sent from Wessex and Alfred´s court on Ohthere´s ship back to Northern Norway as a missionary.

Telling the story of the flight of the Jews from Egypt based on the biblical book of Exodus, the Haggadah was – and still is – used during the Seder, the ritual meal of the first night of Passover. The text of this remarkable manuscript has been richly illustrated by many artists in different countries for over seven hundred years. With its seventy-fi ve illustrations, occupying the margins of almost every page, this manuscript expresses the elegant language of the Gothic International style in Lombardy. Directly related to the workshop of the renowned master builder, sculptor, and illuminator Giovannino de’ Grassi, who fl ourished under the patronage of the noble Visconti family in Milan, the present volume was probably commissioned by a wealthy individual. The presumed date of origin of the Lombard Haggadah corresponds with a period known for its wave of immigration into Lombardy of northern European Jews, who were especially welcomed by Duke Gian Galeazzo Visconti. Last on public exhibition in the Paris World’s Fair in 1900, when it belonged to a French family, the Lombard Haggadah was then sold in 1927 in London to the noted collector of Hebrew manuscripts Salman Schocken. Little known, the manuscript has remained in private hands ever since. It survives as the earliest stand-alone Italian Haggadah. Of the greatest rarity, it is one of three illustrated medieval Haggadahs still privately owned. Sharon Liberman Mintz, Curator of Jewish Art, The Jewish Theological Seminary, states “I have worked with Hebrew illuminated manuscripts all of my professional life, and this one stands out for its fresh, charming, and sometimes unique paintings as well as its historical importance”.

Change and Resilience offers a view of the main Mediterranean islands from West to East in Late Antiquity because Mediterranean islands can contribute in fundamental ways to our understanding not only of earlier colonizations but also later periods. The volume explores specifically the time frame from the fall of the Roman empire to the Medieval period. A first group of papers covers islands and island groups in the Central and Western Mediterranean, including the Balearic Islands, Corsica, Sardinia, Sicily, and the Adriatic islands. Together, these five papers highlight several common themes across the region: local or indigenous sites were often reoccupied in Late Antiquity, the rural countryside typically played a significant role in the contributions of islands to wider Mediterranean economic networks, and islands – big and small – often played significant roles in shifting political and religious power. The second group focuses on the Eastern Mediterranean. Three papers cover a range of islands, including Crete, the Cyclades, and Cyprus. Together they emphasize the impacts external shifts in political power and economic ties in the Eastern Mediterranean had on island landscapes, as well as the connected relationship between sacred space and territorial occupation across many of these islands. The final group of papers pivots on changing perceptions of island landscapes in Late Antiquity—or “island mindscapes.” Three papers focus on how communities adapted as they underwent Christianization in island contexts, emphasizing the diverse and varied ways that island landscapes became “Christianized,” as well as how other political and economic factors shaped the dynamics of change.

This study reconstructs twelfth-century sculptural and architectural finds, found during the restoration of the Perpendicular Great Cloister of Christ Church, Canterbury, as architectural screens constructed around 1173. It proposes that the screens provided monastic privacy and controlled pilgrimage to the Altar of the Sword's Point in the Martyrdom, the site of Archbishop Thomas Becket's murder in 1170. Excavations in the 1990s discovered evidence of a twelfth-century tunnel leading to the Martyrdom under the crossing of the western transept. Construction would have required rebuilding the crossing stairs and the screens flanking the crossing. The roundels, portraying lions, devils, a 'pagan', Jews, and a personification of the synagogue, are reconstructed on the south side of the crossing as a screening wall framing the entrance to this tunnel. The quatrefoils with images of Old Testament prophets are reconstructed as a rood screen on the west side of the crossing. In the Martyrdom, a screen is proposed with perhaps the earliest known sculptural representation of Thomas Becket. The rood screen, located behind the Altar of the Holy Cross, would have provided a visual focus during Mass, monastic processions, and sermons, especially during Christmas and Holy Week. The row of prophets, pointing upwards at the Rood, would have functioned as the visual equivalent of the dialogue of the ‘Ordo prophetarum’ that predicted the Messiah as proof to Jews and other unbelievers of Christian redemption. The roundels, just around the corner on the south screening wall, can be interpreted as representing the unbelieving Other and forces of evil warning pilgrims to seek penance at the altar of the newly canonized St Thomas. In addition to this new interpretation, a catalog raisonné and an account of the discovery of the finds offers material for future research that has been unavailable to previous studies. All the finds were photographed by the author as the restoration progressed;16 pieces of which have since been lost, making some of the unpublished photographs essential evidence of the archaeological record.

This edited volume explores how (what is today) Scotland can be compared with, contrasted to, or was connected with other parts of Early Medieval Europe. Far from a ‘dark age’, Early Medieval Scotland (AD 300–900) was a crucible of different languages and cultures, the world of the Picts, Scots, Britons and Anglo-Saxons. Though long regarded as somehow peripheral to continental Europe, people in Early Medieval Scotland had mastered complex technologies and were part of sophisticated intellectual networks. This cross-disciplinary volume includes contributions focussing on archaeology, artefacts, art-history and history, and considers themes that connect Scotland with key processes and phenomena happening elsewhere in Europe. Topics explored include the transition from Iron Age to Early Medieval societies and the development of secular power centres, the Early Medieval intervention in prehistoric landscapes, and the management of resources necessary to build kingdoms.

Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these were underpinned. Combining strong elements of eroticism and aggression, sorcery appears as a fundamental domain of women's power, linking them with the gods, the dead and the future. Their battle spells and combat rituals complement the men's physical acts of fighting, in a supernatural empowerment of the Viking way of life. What emerges is a fundamentally new image of the world in which the Vikings understood themselves to move, in which magic and its implications permeated every aspect of a society permanently geared for war. In this fully-revised and expanded second edition, Neil Price takes us with him on a tour through the sights and sounds of this undiscovered country, meeting its human and otherworldly inhabitants, including the Sámi with whom the Norse partly shared this mental landscape. On the way we explore Viking notions of the mind and soul, the fluidity of the boundaries that they drew between humans and animals, and the immense variety of their spiritual beliefs. We find magic in the Vikings' bedrooms and on their battlefields, and we meet the sorcerers themselves through their remarkable burials and the tools of their trade. Combining archaeology, history and literary scholarship with extensive studies of Germanic and circumpolar religion, this multi-award-winning book shows us the Vikings as we have never seen them before.

Torre Abbey is one of the more impressive monastic sites in Devon, both as a ruin and as a conversion to a comfortable post-medieval mansion. Founded in 1196 as a house of the Premonstratensian ‘White Canons’, the church and the monastic buildings round the cloister were built soon after and not greatly modified in later medieval changes. Converted to domestic use after the Dissolution, the Abbot’s house and part of the cloister was for 300 years the home of the Cary family, and it continued as the home of their successors until 1930 when it was acquired by Torquay Borough Council. A major programme of excavation was undertaken on the church by the Exeter Museums Archaeological Field Unit in the 1980s, followed by a series of above-ground investigations of the historic building fabric. A later phase of museum reordering and redisplay led to further exploratory work by Museum of London Archaeology, and then by Oxford Archaeology. This report publishes the results of the excavations and building surveys, including the architectural development of the abbey church and claustral buildings, discoveries made in removing render from the walls of the monastic refectory, and changes made for the post-medieval mansion. Geophysical surveys suggest that much more remains to be discovered on the site. The finds include an impressive collection of worked stone from medieval monuments and architectural features, an important group of ceramic paving tiles, and tantalising remains of stained glass windows. This fully illustrated publication brings to a close a major enterprise in the 30-year investigation of the site and buildings under the auspices of the Torbay Council.

"For the will desires not to be dark, and this very desire causes the darkness” (Jacob Boehme). Moving through the fundamental question of this paradox, this book offers a constellation of theoretical and critical essays that shed light on the darkness of the will: its obscurity to itself. Through in-depth analysis of medieval and modern sources - Augustine, Pseudo-Dionysius, Eriugena, Dante, Meister Eckhart, Chaucer, Nietzsche, Cioran, Meher Baba - this volume interrogates the nature and meaning of the will, along seven modes: spontaneity, potentiality, sorrow, matter, vision, eros, and sacrifice. These multiple lines of inquiry are finally presented to coalesce around one fundamental point of agreement: the will says yes, yet only a will that knows how to say no to itself, entering the silence of its own darkness, will ever be free.

A selection of papers on the Anglo-Saxon period, including papers on non-ferrous dress-accessories from early medieval Lincoln; The Anglo-Saxon settlement at Catholme, Staffordshire; transformation and use of insular mounts from Viking-Age burials in TrØndelag central Norway, and evidence from two rural Anglo-Saxon sites in Suffolk.

This book is the culmination of the author’s lifelong interest in the Roman to medieval transition in England and in the analysis of the historic landscape of Wessex. It begins with a focused, referenced, and critical exploration of the thorny, but crucial, issues of post-Roman personal and group identity, employing linguistic, historical, archaeological and toponymical evidence. A series of integrated studies seek to elucidate changes in the territorial organisation of the Wessex landscape, from Somerset to Hampshire, from the Roman period to the emergence of the historic counties. It is shown that the defined limits of the self-governed Roman civitates had a significant impact upon subsequent historical developments, not least on the early English settlements. In eastern Wessex - Berkshire, Hampshire and Wiltshire – the Roman boundaries broke down piecemeal, but continued to influence political developments and patterns of settlement into the seventh century. It is argued that those three counties acquired their medieval and later form only at the time of the Viking wars. In western Wessex, Dorset and Somerset, by contrast, the core of the territories of both the southern and northern Durotriges in the Roman period has persisted until the present day. The book also includes a re-examination of the formation and extent of the kingdom of the Jutes in southern Hampshire and on the Isle of Wight. The chronology, history and archaeology of the fifth century, set alongside the many changes of the later fourth century, and vital to our understanding of the momentous events of that time as Saxon control took hold in the east , are here the subject of a separate, detailed study. Place-names across Wessex with a bearing on the presence of the Britons, and the changing nature and distribution of archaeological sites in the fifth, sixth and seventh centuries, are discussed in their historical context.

This volume brings together an interesting range of papers discussing medieval buildings across Europe. They provide interesting insights to life in the medieval world in several understudied areas of Europe. The papers range from Croatia and Transylvania in the east, Scandinavia in the north and Britain in the west, providing insights into areas that are rarely discussed by books published in western Europe. There is comprehensive range in size and status of buildings, from the smallest, single-roomed house in Byzantine Serbia and rural homes in central Europe to churches in Sweden and monastic hospitals in England. Buildings of high status and low status are discussed, as well as those of a secular and ecclesiastic nature. Materials and craftspeople are considered through a study of brick makers and their identifying marks. This volume aims to open discussions about medieval buildings beyond simply architectural features and typologies, and furthers the discipline through this process. Buildings can reveal details of the lives of their occupants and therefore enrich our knowledge of life in medieval Europe.

The aim of this book is to promote the thesis that myth may illuminate archaeology and that on occasion archaeology may shed light on myth. Medieval Irish literature is rich in mythic themes and some of these are used as a starting point. Some myths are of great antiquity and some were invented by contemporary authors. It is a challenging source, first explored in the author's earlier work Archaeology and Celtic Myth and this work will elaborate on some of the themes pursued there and introduce some new ones. Combining literary and archaeological evidence chapters deal with the construction of the past, illustrating how the Irish medieval world invented aspects of the past; the abuses of myth presented in later literature; the evidence for the survival of pagan beliefs and practices well into medieval times in Ireland; evidence to illustrate the key elements of the institution of sacral kingship, a consideration of sacred trees; mythology of the underworld and its archaeological expressions and the equine aspects of the myths attached to the Irish goddess Macha (linked to Navan Fort) and her Welsh counterpart Rhiannon. John Waddell brings a lifetimes experience of studying Irish history, Bronze Age archaeology and Celtic mythology in this personal and lively exploration of mythology and its archaeological expression.

Het is een wijdverbreid idee dat (post-)middeleeuwse steden een sterfteoverschot hadden en zij slechts in leven konden blijven door de toestroom van migranten; een fenomeen dat bekend staat als het ‘urban graveyard’-effect. Over details valt te twisten, maar duidelijk is dat de stad en de dood dichter bij elkaar stonden dan tegenwoordig. Met de dood als belangrijk element in de stedelijke samenleving vormen grafvelden een belangrijke bron van kennis over het leven in de post-middeleeuwen. Sinds de jaren 80 van de vorige eeuw is systematisch archeologisch onderzoek van (post)middeleeuwse grafvelden in Nederland op gang gekomen. Veel van het onderzoek is nog niet of slechts beperkt gepubliceerd. Ook ontbreken synthetiserende publicaties waarin vergelijkingen tussen de resultaten van lokaal grafveldonderzoek in steden centraal staan. De stad en de dood presenteert enkele overzichtsartikelen waarin de resultaten van oud archeologisch onderzoek worden vergeleken met resultaten van jongere opgravingen binnen verschillende Nederlandse steden. Naast bio-archeologische aspecten is er tevens aandacht voor grafrituelen. Deze rijk geïllustreerde bundel vormt een belangrijke bouwsteen voor thematische verdieping en is een inspiratiebron voor (inter)nationaal vergelijkend onderzoek. In de tweede – Engelstalige – bundel van Urban Graveyard Proceedings komt een reeks andere geselecteerde Nederlandse en Vlaamse grafvelden aan de orde. English translation:It is commonly believed that in medieval and post-medieval towns and cities death outnumbered births and that these urban centres could only survive through the influx of migrants; a concept which has come to be known as the urban graveyard effect. Whether this was indeed the case for all cities and towns is still debated, but it is certain that urban citizens were more used to death that we are today. The medieval graveyards in which the deceased were interred, then still located within town limits, are an invaluable source of knowledge for reconstructing past lives. Systematic archaeological and osteoarchaeological research of urban graveyards has become the norm in the Netherlands and Belgium since the 1980s. However, many of the studies remain unpublished and larger, overarching publications in which comparisons are made between different studies are still lacking. The urban graveyard presents several studies in which the results of older archaeological and osteoarchaeological research are compared to more recent excavation data from several Dutch cities and towns. Both the archaeological data concerning burial position, orientation, and grave goods as well as osteoarchaeological data such as demographic information and pathological observations are discussed. This well-illustrated volume is a starting point and source of inspiration for more (inter)national comparative research.

It is commonly believed that in medieval and post-medieval towns and cities death outnumbered births and that these urban centres could only survive through the influx of migrants; a concept which has come to be known as the urban graveyard effect. Whether this was indeed the case for all cities and towns is still debated, but it is certain that urban citizens were more used to death that we are today. The medieval graveyards in which the deceased were interred, then still located within town limits, are an invaluable source of knowledge for reconstructing past lives. Systematic archaeological and osteoarchaeological research of urban graveyards has become the norm in the Netherlands and Belgium since the 1980s. However, many of the studies remain unpublished and larger, overarching publications in which comparisons are made between different studies are still lacking. The urban graveyard presents several studies in which the results of older archaeological and osteoarchaeological research are compared to more recent excavation data from several Dutch, Belgian and Danish cities and towns. Both the archaeological data concerning burial position, orientation, and grave goods as well as osteoarchaeological data such as demographic information and pathological observations are discussed. This well-illustrated volume is a starting point and source of inspiration for more (inter)national comparative research.