This book provides an up-to-date account of the archaeology, history, economy, urbanism, art, and architecture of the North African region of Tripolitania during antiquity. The essays by international scholars outline current research and the most recent developments in the archaeology of this territory. The strong interdisciplinary character of the texts reflects the expertise of the different authors – from studies of the landscape and urban development, to funerary practices, architecture, military operations and food supply. This timely publication provides a much-needed new assessment of the evolution of this region throughout the Roman and Late Antique period.

The late 12th and 13th centuries witnessed complete national recoinages in 1180, 1247 and 1279, with the entire national stock of money reminted. After 1279 this did not happen again, with changes to coinage standards from 1351 onwards creating an environment that instead removed older coin more gradually. The collapse of the Angevin empire, Magna Carta and its ramifications, the creation of Parliament and the commencement of major Anglo-Scottish wars all impacted on how currency functioned across this period. The aim of this publication is to publish English coin hoards in the context of each of the successive currency periods between 1180 − around the time England arguably became a fully monetised land, with the silver penny under its recently emerged name of sterling − to 1351, when the penny-dominated currency was replaced by a multi-denominational one in both gold and silver.While the hoards discussed in this publication are seen in their national context, they are also placed firmly in their very local context, identifying relevant local economic and social forces and activities. This approach illuminates the place of money in the lives of the majority of England’s inhabitants, especially as this was the period in which medieval taxation reached its definitive form. With only a handful of exceptions, most of the hoards discussed represent money held by the lower levels of society, above all agricultural workers, whether of free or villein status: this is money in the world of the manor, the village and the parish, not the city, court or government.

This edited volume brings together an international group of scholars to address the lives, roles, myths, mythology, and lived experiences of Viking women as well as the impacts of change on women during the turbulent period of the Viking Age. Through interdisciplinary perspectives, this is a book dedicated to the lesserknown aspects of women’s lives as active members of society. It provides an innovative way of bringing together work from archaeological, anthropological, historical, and literary perspectives to address questions about women in trade, in war, in magic, in the household and activities that provided women with power and respect in their communities.

A new addition to the award winning Pitt Poetry Series

This new photo album is number 34 in the MMPBooks/Stratus "Camera On" series and vol. 1 features over 160 photographs of captured and destroyed Soviet aircraft from the Eastern Front in World War Two. Most of the photographs were taken in situ, during and after the Operation Barbarossa - the attempted Nazi invasion of Russia.

Join Garner, Dodge, and the rest of RT Iowa as they venture “across the fence” to help stem the flow of the North Vietnamese on the Ho Chi Minh Trail. Tense hours of moving in areas “denied” to the U.S. military are interspersed with fierce firefights; back at Kontum, the Green Berets unwind with wild abandon, while the recon first sergeant makes repeated, often doomed attempts to ensure the teams’ success—and survival.First published in 1990, this classic account of Military Assistance Command Vietnam, Studies and Observation Group, was written as a novel by a veteran of Recon Team Iowa to bring his experiences and those of fellow MACV-SOG soldiers to a wider audience at a time when their dedication and sacrifice was little known. The small tight recon teams—each comprising three U.

This is an inter-disciplinary study of pathways to regional rulership and territorial lordship in early post-Roman Britain which takes as its starting point the East Anglian royal centre at Rendlesham and its contexts.This book examines the origins and development of the East Anglian kingdom in the fifth to eighth centuries AD through the lens of the elite settlement complex at Rendlesham, Suffolk using an interdisciplinary approach involving field survey, landscape history, excavation and metal-detecting finds. It also examines the wider regional context and proposes a new narrative of kingdom formation.

Next Size Up is a brand new book exploring the world of fashion, sport, design, art and music through the unique and powerful prism of contemporary Sneaker Culture as it enters another phase in its evolution. The world of sneakers has taken centre stage of not only youth culture, but also the mainstream creative industries including luxury fashion and music. Next Size Up talks to the protagonists who made this happen and also explores what happens next. Providing a platform to celebrate and discuss some of the most compelling issues surrounding the creative industries today, it will appeal to those interested in cutting edge design, illustration and contemporary art as well as the ever-expanding world of sneaker enthusiasts. This new book embodies the story, collaborating with designers, photographers, artists and writers including, amongst others, Paul Smith, Sarah Andelman, Antony Burrill, Alexander McQueen, Nike, Vans, Prada, At Last Clothing and many more.Size Isn’t Everything published 20 years ago is reprinted to complete this two volume set – the very first book of it’s kind, it set the template for all others to follow. Back then it was completely uncharted territory, an underground movement of which the mainstream, including the Sneaker brands themselves, knew nothing about. Size Isn’t Everything not only examined its heroes, codes, boundaries and contradictions, but also embodied the culture’s ethos of putting creativity, design and collaboration at its very heart. Working with some of the most innovative names of the time Size Isn’t features such names as The Chapman Brothers, Anthony Burrill, Tomato, Snoop Dogg, Glen E Friedman, Tony Hawk or Spike Jonze. The book was and is still beautiful.

The summer of 1863 started off disastrously for the Army of the Potomac in the Eastern Theater. In early May, Confederate General Robert E. Lee’s Army of Northern Virginia defeated and humiliated Major General Joseph Hooker’s army at the Battle of Chancellorsville. While both armies reorganized in the wake of Chancellorsville’s massive losses, Lee then maintained the initiative and launched an invasion of Pennsylvania. Throughout June, Lee’s army advanced deeper into Pennsylvania and Northern efforts to stop his progress were ineffective until Major General George Meade replaced Hooker as commander of the Army of the Potomac. On July 1, 1863, Meade and Lee’s large armies collided outside of the crossroads town of Gettysburg, Pennsylvania. The stakes were never higher for either army as the newly promoted Meade defended Northern soil, while General Lee risked everything by taking the war into enemy territory.The first day of the Battle of Gettysburg is often overshadowed by fighting on the following days, but July 1 was one of the bloodiest single engagements of the entire Civil War. Many of the decisions leading to and through Gettysburg’s first day remain steeped in controversy. Did Meade intend to fight on the Pipe Creek line in Maryland until subordinates such as Major General John Reynolds forced the engagement at Gettysburg? Did the absence of J. E. B. Stuart’s cavalry really leave Lee “blind” to his opponent’s movements? Was Lee’s desire to avoid a general engagement ignored by his own officers? With neither commanding general on the battlefield for much of the day, crucial decisions remained in the hands of subordinates such as John Buford, John Reynolds, A. P. Hill, Richard Ewell, and Oliver Howard.This Casemate Illustrated volume sets the stage for the Civil War’s greatest battle and covers the heroism, decisions, and mistakes made on the first day at Gettysburg.

Which Side Are You On? tells the story of the classic union song that was written in 1931 by Florence Reece in a rain of bullets. It has been sung by people fighting for their rights all over the world. Florence's husband Sam was a coal miner in Kentucky. Many of the coal mines were owned by big companies, who kept wages low and spent as little money on safety as possible. Miners lived in company houses on company land and were paid in scrip, good only at the company store. The company owned the miners sure as sunrise.That's why they had to have a union. Miners went on strike until they could get better pay, safer working conditions, and health care. The company hired thugs to attack union organizers like Sam Reece.George Ella Lyon tells this hair-raising story through the eyes of one of Florence's daughters, a dry-witted, pig-tailed gal whose vantage point is from under the bed with her six brothers and sisters. The thugs' bullets hit the thin doors and windows of the company house and the kids lying low wonder whether they're going to make it out of this alive; wonder exactly if this strike will make their lives better or end them, but their mother keeps scribbling and singing. "We need a song," she tells her kids. That's not at all what they think they need. Graphic novelist Christopher Cardinale brings Florence's triumphant story to life in true rip-roaring union style.

In Vietnam, in 1967, William Chickering commanded a Mike Force battalion of Montagnards, highland tribesmen who were also members of a secret army, FULRO. Some senior American commanders worried that FULRO was communist, but those who fought with them understood that the goal of the United Front for the Liberation of Oppressed Races was to drive all Vietnamese—including communists—from the highlands. For a while, FULRO appeared capable of changing the course of the war in Vietnam. Then, inexplicably, it faded away.Chickering’s quest to understand FULRO took him to Phnom Penh in 1973, where he found five of the six leaders, the sixth having been mysteriously murdered. He was unable to discern the truth behind their political smoke, and just two years later, 150 of them—men, women, and children—disappeared into the maw of the Khmer Rouge. Among them was the family of Bhan, one of the leaders, who had been in the United States when Phnom Penh fell.In 1986, Bhan headed back to Southeast Asia to learn their fate. He resurfaced in Cambodia 22 years later, after an extraordinary odyssey. He had never found his family. Were they, and the rest of the FULRO Montagnards, executed by the Khmer Rouge, or could they still be alive, somewhere in Cambodia? Determined to finally unveil the truth, Chickering moved to Phnom Penh. His research led him to the widow of a Cambodian Cham widely assumed to have been FULRO’s sinister puppeteer, and eventually to FULRO’s secret papers. From these he was able to piece together why FULRO faded away, and how FULRO’s failure was connected to its one last heroic shot in 1965 to win a country for the Montagnards.This extraordinary account reveals a previously untold aspect to the Vietnam War: how a minority with dreams of reclaiming their homeland used the protagonists in a wider conflict to try and further their own ends, and almost succeeded.

Lyric meditations on writing poetry in a time of ecological crisis and right wing populismDuring the time of an increasingly powerful alt-right which was also the time when species extinction was ever increasing, Juliana Spahr sat down to read Brecht. She was looking for an answer to Brecht's question about the dark times, about whether there will also be singing during the dark times. The answer that Brecht provides is that yes, that poets will sing of the dark times. In the six ars poeticas that Spahr writes, she sings of the dark times but also of coral, the pop song's possible liberation, and the love of comrades. She writes not only of the rich history of what politics and poetry have done with each other, but what they might yet do together.[Sample Poem]from ARS POETICA 1: CORALTo write poetry after Castle Bravo. Then to write poetry after 1500 feet. After high-quality steel frame buildings not completely collapsed, except all panels and roofs blown in. After 2,000 feet. After reinforced concrete buildings collapsed or standing but badly damaged. After 3,500 feet. After church buildings completely destroyed. After brick walls severely cracked. After 4,400 feet. After 5,300 feet. After roof tiles bubbled and melted. After 6,500 feet. After mass distortion of large steel buildings. To write the Cold War and doves. The Cold War and tapeworms. The Cold War and sails of ships. The Cold War and the steel of bridges. To write poetry after that. To write in a world with few nutrients, one that rocks back and forth. The same beginning in both the sea and the land. To write poetry that knows a hard, cup-shaped skeleton. And then poetry that knows the long, stinging tentacles capturing. Knows the water. The Atlantic and the Pacific. The connections between. The one moving into the other. To develop poetry in the stomach that then exits through the mouth which is the anus. To write poetry in the blue that is the absence of green. Light penetration. Whorls of tentacles. The slime earth too. Hunters and farmers. Shallow water. Few nutrients. High fecundity. Rapid growth. Multiarmed morphology and tube feet. To write tube feet. To write the exact place. Seaward slope place. Sea terrace place. Algal ridge place. Coral algal zone place. Seaward reef flat place. Islet or interisland reef crest place. Lagoon reef flat place. Lagoon terrace place. Lagoon floor or basin place. Coral knolls, pinnacle and patch reefs place. To write poetry after.

Native puppeteers from the White Earth Reservation search for the meaning of lifeTheatre of Chance is the final novel in the series that started with Blue Ravens, and continued with Waiting for Wovoka, about a group of native puppeteers from the White Earth Reservation in Minnesota. The characters continue their adventures from the White Earth Reservation to an existential colony: the urban reservation in Minneapolis. Basile, the native elder, has become an editorial writer, and the stowaways continue their creative puppet parleys in the context of the historical moment, enduring with ironic parleys the election of Richard Nixon as president. Dummy Trout and the stowaways secure a houseboat and with the loyal mongrels return to French Portage Narrows in Lake of the Woods, the birthplace of Dummy Trout. There, for the first time in more than seventy years she whispers a few words, ending the shamanic silence of her marvelous encounters on the White Earth Reservation and in the native existential colony of Minneapolis.

Evocative new photographs of Connecticut by celebrated photographer William Earle Williams provide insight to the stories of Black American historyTheir Kindred Earth gathers images of Black Connecticut's historic sites by celebrated photographer William Earle Williams. A series of connected essays illuminate how these sites connect to the larger national and international narrative of Black American history. Over the past forty years artist William Earle Williams (born 1950) has made sites of African American history more visible through his exquisite photographs. Mentored in the 1970s by the famed photographer Walker Evans, who had a home in Lyme, Williams attended the Yale School of Art at Evans's suggestion. From that Connecticut inception, Williams embarked on a decades-long journey to identify and photograph places across the country that hold histories of the slave trade, the Underground Railroad, and emancipation. Many remain unmarked and largely overlooked in a society that has long ignored Black history. New archival research has yielded revelations about how we understand Connecticut history. In this book, Williams creates photographs that bring visibility and pay tribute to the unrecognized people who contributed to Connecticut culture and its landscape. The book includes photographs from New London, Old Lyme, Farmington, Middletown, Norwich, New Haven, Hartford, Canterbury, Brooklyn (CT), and Greenwich, including sites of importance to Black figures in the state, such as Venture Smith and David Ruggles. It features essays by Cheryl Finley, Frank Mitchell, Jennifer Stettler Parsons, Carolyn Wakeman, and Deborah Willis.

New in paperback edition of the first critical biography of this visionary artist written by a dance scholar.Simone Forti, groundbreaking improvisor, has spent a lifetime weaving together the movement of her mind with the movement of her body to create a unique oeuvre situated at the intersection of dancing and art practices. Her seminal Dance Constructions from the 1960s crafted a new approach to dance composition and helped inspire the investigations of Judson Dance Theater. In the 1970s, Forti's explorations of animal movements expanded that legacy to launch improvisation as a valuable artform in its own right. From her early forays into vocal accompaniment to her News Animations, Forti has long integrated gesture and text into compelling performances that consistently stretched the boundaries of dance to layer abstract movement with story-telling and political commentary. Her "Land Portraits" series brought an immersive ecological experience to New York City stages in the 1980s, and she is a beloved teacher and mentor whose Body, Mind, World workshops have inspired dancers around the world. In this beautifully written book, author Ann Cooper Albright braids archival research, extensive interviews, and detailed movement analyses of Forti's performances to provide the first kinesthetically-informed and critically-nuanced history of Forti's multifaceted and extensive career.