This volume describes the pottery-making depot attached to the pre-Flavian vexillation fortress of Longthorpe near Peterborough and and throws light on the problems of supply of the Roman army during the conquest campaigns. It contains a detailed report on excavations at a group of sites lying east and south-east of the Roman fortress of Longthorpe, Cambridgeshire. A second section reports on the finds from the excavations.

Composition is so vast that no single book -- let alone a slender volume like this one -- can cover it exhaustively. The principles and views presented here are representative of a variety of approaches to visual design: some are concerned exclusively with form; others with the psychology of form; and still others with ideological properties thought to be inherent in particular choices of visual pattern.

This is a classic study into the Egyptians' use of the past, focusing on the pictures and texts common in Ancient Egypt showing groupings of kings. The author discusses the genesis and development of the "king list" tradition, following a tradition over three millennia. After taking a chronological approach to "king lists", annals and day lists from the Old to New Kingdoms, the book focuses on the Aegyptiaca of Manetho, perhaps the first truly 'historical' approach to Egyptian sources written during the early Ptolemaic period.

The turning of biblical texts into Latin poetry - biblical paraphrase - was a significant literary activity in late antiquity (third to sixth centuries AD). The most important surviving examples of this form are Juvencus and Sedulius (of the Gospels), Arator (of Acts), "Cyprianus Gallus" (Genesis to Judges), Claudius Marius Victorius (Genesis) and Avitus (parts of Genesis and Exodus). Generally described as biblical epics because they are written in hexameters and imitate pagan epic (especially Virgil), they have also been widely recognized to have drawn for their technique of composition on the rhetorical school exercise of paraphrase. Dr. Roberts analyses in convincing detail how the epic genre interacted with the biblical text through the medium of paraphrase to produce a distinctively Christian literature. He begins by offering the first modern study of paraphrase; two chapters describe its theory and practice, taking into account the standard rhetorical handbooks and recently discovered papyrological evidence. From this perspective, he analyses the types of alterations biblical epic writers made to the biblical text, thereby demonstrating the literary effects they were trying to achieve.

Full report on the 1962-6 excavations of the villa and on the finds, with discussion of the region.

The Bellum Jugurthinum is the second historical monograph (the other is the Catilina) written by C. Sallustius Crispus (probably 86-35 B.C. ), a senator, Caesarian general and historian whose political and literary career spanned the violent years which saw the end of the Roman Republic. The Bellum Jugurthinum describes an earlier war fought in North Africa at the end of the 2nd century B.

For this study of sheep-rearing in Roman Italy, Dr. Frayn presents and evaluates material from epigraphy, law, literature, archaeology, painting and sculpture to illuminate the social life of shepherd communities. Throughout, the ancient evidence for Italian practice is supplemented with comparative material from other ancient societies and (where relevant) from more modern farming experience.

This volume is the much larger companion to Roger Blockley's similarly-titled monograph, published in 1981 (ARCA 6). The earlier volume gave a commented conspectus of the fragments, and essays on the individual historians. In vol. II the texts themselves are printed, with English translations and historiographical notes. Included also is a correlation of Blockley's order with the older numbering of Mueller, Dindorf and Niebuhr, and indices of names, places, quotations and citations. This work, with the earlier monograph, has become a standard for the increasingly important study of the later Roman Empire.

Although writing in Latin, Statius (first-century AD) was, by origin and training, a Greek poet, and his collection of "occasional" poems, the Silvae, are a Roman extension of contemporary trends in Greek display poetry. No reading of the Silvae can be accurate without an understanding of this Graeco-Roman poetic milieu. This book therefore begins with a reconstruction of the professional background to the Silvae - the festival circuit, the conditions of work for writers, their opportunities for advancement in the Greek and Roman worlds - both in the Hellenistic period and in the first century A. D. In this setting, display oratory and poetry are shown to have developed in parallel and to have had a profound mutual influence. Further chapters consider Statius' performances as a Neapolitan poet at Rome, his portrayal of his own society and his friends, and his attitudes to his Latin predecessors. Literary patronage, both imperial and private, is a vital element in Statius' poetic career, and Hardie goes on to investigate the identity and social standing of the addressees of the Silvae . He also considers the career of the contemporary epigrammatist Martial in comparison to that of Statius. Many essential features of Flavian taste emerge from these studies. Large-scale interpretations of individual poems are offered throughout this volume, making many new suggestions about both points of detail and the overall significance of the major poems in the Silvae . Statius and the Silvae is an important contribution to the debate on the relationship between poetry and rhetoric, and to the understanding of how society and literature interconnected in the Flavian age.

Publishes 875 Neo-Babylonian and Achaemenid economic texts, excavated at Abu Hamma, ancient Sippar, and copied by Pinches between 1892 and 1894. This volume reproduces his drawings.

Report on the 1962-5 excavations with full description of pottery and other finds.