Considers allegory as a catalyst of transformative thinkingAllegorical Moments is a set of essays dedicated to rethinking allegory and arguing for its significance as a creative and critical response to sociopolitical, environmental, and existential turmoil affecting the contemporary world. Traditionally, allegorical interpretation was intended to express an orthodoxy and support an ideology. Hejinian attempts to liberate allegory from its dogmatic usages. Presenting modern and contemporary materials ranging from the novel to poetry to painting and cinema to activist poetry of the Occupy movement, each essay in the book "begins again" with different materials and from different perspectives. Hejinian's generative scholarship looks back to experimental modernism and forward into a future for a vital, wayward poetry resistant to the crushing global effects of neoliberalism.

Two-up, a famous Australian soldiers’ gambling game, has given Australian English many unique words and phrases. The game is significant in Australia’s cultural history. This book is the essential guide to the language and history of the ‘national game’. Bruce Moore explains Two-up’s role in the development of the ANZAC legend and provides new evidence that aspects of the game and its terminology have their origins in Ireland. He shows us how the Australian concept of the ‘fair go’ had its origins in Two-up, and how working-class tenacity saved the game from the efforts of authorities and wowsers to wipe it out. The well-known phrase ‘come in spinne’r is just one of the more than 140 Australian words and phrases that have their origin in the game of Two-up. This is the reader’s chance to learn about ‘alley loafers’, ‘baldie’s, ‘bastards on bikes’, ‘boxer’s, ‘butterflies’, ‘cockatoos’, ‘floaters’, ‘grouter bettors’, ‘headies’, ‘kips’, ‘nit-keepers’, ‘nobs’, ‘ringmasters’, and ‘two-uppians’.

Writing does not begin and end with the encoding of an idea into a group of symbols. It is practised by people who have learnt its principles and acquired the tools and skills for doing it, in a particular context that affects what they do and how they do it. Nor are these practices static, as those involved exploit opportunities to adapt old features and develop new ones. The act of writing then has tangible and visible consequences not only for the writers but also for those encountering what has been produced, whether they can read its content or not – with potential for a wider social visibility that can in turn affect the success and longevity of the writing system itself.With a focus on the syllabic systems of the Bronze Age Aegean, this book attempts to bring together different perspectives to create an innovative interdisciplinary outlook on what is involved in writing: from structuralist views of writing as systems of signs with their linguistic values, to archaeological and anthropological approaches to writing as a socially grounded practice. The main chapters focus on the concepts of script adoption and adaptation; different methods of logographic writing; and the vitality of writing traditions, with repercussions for the modern world.Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.

In Afterlives, the literary scholar Camilla Storskog investigates how classics with Scandinavian orgin have been reinterpreted as comics. She sets out how literary works, plays, and films have crossed and recrossed the boundaries of language and media, speaking to new times and new contexts. Comic art adaptations have long been neglected by academics, so in this book the author considers them as unique visual media with their own aesthetic, technical, and narrative qualities.

Buddhist Hybrid Sanskri is not a deteriorated Sanskrit (as many believed at the discovery of Buddhist texts in Sanskrit), but, following the theoretical foundations underlying the pioneering work of Franklin Edgerton, a language with its grammar and vocabulary sui generis implemented rather consequently, which for a long period of time was used to spread the teaching of Buddha. The Reader is meant as a textbook for advanced students with an interest in non-standard Sanskrit and Middle Indo-Aryan. A substantial novelty of the Reader is that it includes extracts from representative texts either recently critically re-edited on the basis of new manuscripts or from the texts unknown at the time of Edgerton’s publications. All extracts are accompanied by commentaries explaining their grammatical peculiarities as well as by selections of specific lexical items.

What can the classification of languages tell us about human origins and human prehistory? This book presents a popular account of the origin of language. It is intended for an audience with no prior knowledge of comparative linguistics, genetics or archaeology. The present volume is a reprint of the 2009 second edition of the book, and includes the text of the first edition (1994) with minor modifications, as well as the scientific evidence for monogenesis, and a Postscript recounting developments in the field since the original publication of the book.

An English translation of a Latin work on the Syriac grammatical tradition ('Historia artis grammaticae apud Syros') by the 19th-century German theologian and linguist, Adalbert Merx.

This work argues that there are traces of Sufism to be found in British Romanticism. Most scholars of Romanticism have overlooked the impact of Sufism on Romanticism in favour of Christian and neo-Platonic Mysticism, but this work fills in this gap by showing the magnitude of the influence of Sufism on the Romantics without negating the influence of other -isms. What elements of Sufism attracted the attention of the Romantics? And why were the Romantics attracted more to Sufism and Sufi poets than to Christian Mysticism and Mystic poets?

On the precipice of the Sixth Extinction, we face a frightening fate - ongoing ecological crises that may result in not only the extinction of a million species within decades but another mass extinction event like the one that wiped out the dinosaurs. In Kairotic Inspiration: Imagining the Future in the Sixth Extinction, Sarah Allen suggests that humans face this future, whatever it brings, by attending to the ways in which all beings are caught in the entangled processes of becoming. But change is often painful and requires inspiration. Allen explores a theory that shifts the concept of inspiration away from the unique genius of the individual and instead situates it within conceptual, human and nonhuman animal relations that can disrupt the state of being. To expand the understanding of change beyond the polarized binary that defines difference, the author builds on Nietzsche’s conceptualization of the Dionysian, which explains how the self is unmade through immersive experiences. This unmaking creates room for a different experience of becoming, one which Donna Haraway calls “becoming-with” and “producing-with.” In the end, Allen demonstrates how deepening kairotic connections can transform us as beings, thrusting us further into the processes of becoming and embracing the change that is possible in this living, changing, endangered world.

Disability and literacy are often understood as incompatible. Disability is taken to be a sign of illiteracy, and illiteracy to be a sign of disability. These oppositions generate damaging consequences for disabled students (and those labeled as such) who are denied full literacy education and for nonliterate adults who are perceived as lacking intelligence, knowledge, and ability. What It Means to Be Literate turns attention to disabled writers themselves, exposing how the cultural oppositions between disability and literacy affect how people understand themselves as literate and even as fully human. Drawing on interviews with individuals who have experienced strokes and brain injuries causing the language disability aphasia, Elisabeth L. Miller argues for the importance of taking a disability materiality approach to literacy that accounts for the embodied, material experiences of disabled people writing and reading. This approach reveals how aphasic writers’ literate practices may reinscribe, challenge, or even exceed scripts around the body in literacy (how brains, hands, eyes, mouths, voice boxes, and more operate to make reading and writing happen) as well as what and how spaces, activities, tools, and materials matter in literate practice. Miller pushes for a deeper understanding of how individuals’ specific bodies always matter for literate practice and identity, enabling researchers to better account for, and counter, ableist literate norms.

Often, the process of modern state formation is founded on the marginalisation of certain groups, and Latin America is no exception. In The Language of the In-Between, Erika Almenara contends that literary production replicates this same process. Looking at marginalised communities in Chile and Peru, particularly writers who are travesti, trans, cuir/queer, and Indigenous, the author shows how these writers stake a claim for the liminal space that is neither one thing nor the other. This allows a freedom to expose oppression and to critique a national identity based on erasure. By employing a language of non-normative gender and sexuality to dispute the state projects of modernity and modernisation, the voice of the poor and racialised travesti evolves from powerlessness to become an agent of social transformation.

Colin Austin (1941–2010), Professor of Greek at Cambridge and distinguished editor of poetic texts, was renowned for the precision and brilliance of his scholarship. This collection of studies, offered by some of his pupils, aims to honour his memory. The papers combine philology and textual criticism with a strong interest in setting the works under examination in their literary and cultural context. Individual contributions are devoted to the establishment of the text of the comic poet Menander and the epigrammatist Posidippus of Pella, while one chapter offers a new critical edition of and the first detailed commentary on a number of erotic epigrams. Other essays explore poetic, performative and narratological features in Socratic works of Plato and Xenophon. The volume also includes an analysis of the trope of pathetic fallacy in the bucolic poem Epitaph for Bion and a study of the concept of ‘frigidity’ in ancient literary criticism.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

A Spanish translation of George Kiraz's popular New Syriac Primer. This fruitful integration of scholarly introduction and practical application provides a primer that is more than a simple grammar or syntactic introduction to the language. Written in a style designed for beginners, Kiraz avoids technical language and strives for a reader-friendly inductive approach.

The present volume brings together translations of hitherto neglected texts from Asian philosophical traditions, along with critical essays dealing with the philosophical issues of translating these texts into Western languages. As the third volume in the "Asian Philosophical Texts" series, dedicated to making primary sources of Asian philosophies available to a wider audience in Western academia and beyond, this book includes a diverse range of primary sources written by a broad spectrum of thinkers from different historical periods and intellectual traditions, including India, China, Korea and Japan. The main theme of the volume is the concept of "discontents", focusing on the way different philosophical traditions of Asia enter into dialogue with each other, as well as their critical engagement with Western thought.

"In the beginning, the beginning of your story, this story that isn't yours, there was a single article…." These are the opening words: the location is Manhattan, the protagonist is Richard Schwan, journalist for the New York Times. There follows a newsroom, an airplane, more airplanes, an ocean, two oceans, then after New York there is Los Angeles, Istanbul, Baghdad, Rome and then the return to New York via Bamberg (Baveria), everything to cross over, suffer, enjoy, to be lived. And in this living there is a war, one of those wars that continues but is never declared, that springs up just like that, as if by accident. And Richard Schwan will be there, with his ideals of truth and freedom. And the research for truth and freedom will also be the search for life, the search for life will be a search for the self, for the soul. And so, with a soul laid bare, he will go out into the world. Beyond the peculiarities of contingency, including the elements of time and space, this novel pushes the reader to look beyond, pass over from non-being into being.