Early urban societies transformed social networks. This was also the case for Northern Europe’s emporia – maritime trading towns that emerged around the North and Baltic Seas in the first stages of the Viking Age. The surprising pace and scope of this change is rarely more evident than in the archaeology of Ribe, Denmark. This is the second and final volume presenting the results of the Northern Emporium research project and the high-definition excavations carried out within this programme in 2017-18 in Ribe. The 21 chapters survey the remarkable range of finds retrieved from this hub of the North Sea world in the eighth and ninth centuries AD: artefacts made from pottery, stone, shell, glass, metals, amber, leather, wood, textile, bone and antler. They offer detailed insights that highlight discoveries such as the assemblages from glass bead or comb-making workshops, and rare finds such as wooden furnishings and musical instruments.The focus of the book is on assembling Ribe’s early urban network. By analysing finds and their context, we develop a picture of social roles and interactions between residents and visitors in the emporium. And we follow the connections they created with other worlds as we trace the flows of glass vessels, pottery and wine barrels from Western Europe; iron, stone and animal products from North and Central Scandinavia and beads and coins that travelled from the Middle East and the Indian Ocean into northern Europe’s new maritime frontier.

Northwold Manor is a multi-period listed building (grade II*), about which almost nothing was known. Uninhabited since 1955, it had fallen into a state of extreme dereliction, and was beyond economic repair when the author purchased the property in 2014. He and his wife, Diane Gibbs, embarked on a major restoration that ran for nine years. The restoration was carried out as a quasi-archaeological operation, revealing that the building complex had Tudor origins, followed by the construction of a Stuart house, with Georgian improvements, and a new entertaining suite added in 1814. The Manor, with its fine drawing room, ballroom and orangery, was the grandest house in Northwold, and research into the families that occupied it revealed unexpected connections to the French Bourbon Court. From the 17th to the 20th century, the Carters were the principal owners, and a local branch of the family included Howard Carter, discoverer of Tutankhamen’s tomb.This account begins with a topographical study of Northwold and its three medieval manors, followed by an exploration of the decline of the Carter family in the late 19th century. That triggered the break-up of the Northwold Estate in 1919. Passing through several ownerships, the Manor was earmarked for demolition in 1961; reprieved, it became a furniture store in the 1970s, and every room was solidly packed. As the roofs failed and water poured in, ceilings and floors collapsed, carrying with them the stacks of rotting furniture. By the late 1990s, walls and gables were collapsing too, and the local authority attempted to intervene. A long struggle to save the Manor ensued, finally ending with compulsory purchase in 2013.Although manor houses occur in most English parishes, they have received surprisingly little archaeological study. Every year, hundreds are restored or altered, but rarely accompanied by detailed recording or scholarly research; and popular television programs reveal the shameful level of destruction that takes place in the name of ‘restoration’. This is a book like no other: the holistic approach to the rehabilitation of Northwold’s derelict manor house – involving history, archaeology, architecture and genealogy – demonstrates how much can be learned about a building that had never before been studied. The project has received several awards.

It is widely agreed that the birth of modern archaeology happened in Denmark in the 19th century. A particular set of intellectual and material circumstances came together in a small northern European country to forge the making of a new academic field of enquiry. The history of this event has been widely constructed from the vantage points of certain schools and subjects. This anthology aims to demonstrate that the early Danish pioneers saw little distinction between the study of classical antiquity, the middle ages, prehistory, ethnography and human evolution, nor between humanities and natural sciences. The contributions show how Danish scholars remained key actors and delivered pioneering achievements in the archaeology of Europe, the Mediterranean and the Middle East. In many cases, a full appreciation of their work has been blinded by the disciplinary boundaries of post-war academia. Rediscovering the intimate links between what was later to become separate subjects within the work of individual scholars, this book recasts the history of archaeology in the 19th and early 20th centuries as a joint quest for a global understanding of human history.

June 6, 1944 minutes after midnight, silent silhouettes fly through the clouds and veer over from l'Orne, north of Caen. At more than 150 km / h, they touch the ground and finish their race a few meters from the bridge of Bénouville, who will enter into posterity under the name of Pegasus Bridge. Ninety men emerge painfully from these gliders and seize in a few minutes of the work by a spectacular "helping hand". He is the vanguard of the 6th Airborne Division which will jump a few minutes later between Orne and Dives, for cover the eastern flank of the Normandy landings. The missions assigned to it will all be successfully completed despite widely dispersed drops. But it is not as the beginning of three long months of fighting for British paratroopers.

Pilgrims in Place, Pilgrims in Motion: Sacred Travel in the Ancient Mediterranean brings together exciting interdisciplinary scholarship on the connected poles of pilgrimage: the sanctuaries being visited, and the journeys to get there. Contributions investigate different concepts of place, community, social tensions and expectations of pilgrim behaviour; long-term meanings of place as embodied in memory and topography; mobility, migration and place-making; connectivity and its relationship to pilgrimage. Individual chapters discuss shrines, sanctuaries and sacred places as well as journeys and mobility across Greek, Roman and late antique contexts, framed as part of a key debate within the study of pilgrimage, the central tension between place and motion.

Check over the dramatic events of 1940 as the Polish Air Force took to the skies in France, fighting valiantly during World War II. This book focuses on the role played by the Caudron-Renault CR.714 Cyclone. Explore a treasure trove of black and white period photos that bring this significant era to life. Additionally, marvel at the collection of colour profiles that showcase the distinct liveries of the Caudron-Renault CR.714 Cyclone in Polish Air Force service.

This book is the first of three planned volumes from the project Gokstad Revitalised, which is an archaeological revisit at the famous Viking Age ship grave originally excavated in 1880. The volume collect experiences from other archaeological revisits over the last decades, including the ship grave sites from Hedeby, Ladby and Sutton Hoo, as well as the royal monument at Jelling. It also reports on the research history of the Gokstad find and on a number of methodological feasibility studies carried out as preparation of the project. These include iron provenancing, aDNA, isotope analyses, osteology and new dendrochronological results. The final part of the volume discusses the paradox of planning a multi-year, frontrunner project in a field where methodological development is rapid and uncertainty abound, and share the project's experiences so far.

Rock art in Dakhleh was produced for perhaps as long as 10 millennia, resulting in the formation of hundreds of sites displaying thousands of images. In some places, petroglyphs form a true melting pot of iconographic creations, elsewhere only isolated depictions appear on rock surfaces. Various rock art traditions, from prehistoric, through pharaonic, Graeco-Roman, and mediaeval, have all added to a tremendous variety of petroglyphs, their formal traits and subject matter. This book is the first ever monograph on Dakhleh Oasis rock art, providing both an introduction to the versatile topic as well as an overview of the current state of research. It is designed as a collection of essays that deal with specific aspects of the research. The reader is offered here not only old and new documentation, much of it previously unpublished, but also a great deal of innovative interpretation.All chapters, although devoted to different case studies, revolve around an all-encompassing concept of landscape of motion. It is argued here that rock art, regardless of its date of origin, was (and is) always involved in certain dynamic contexts. In Dakhleh, the majority of petroglyphs – especially during historical periods – were produced in spatial contexts of paths and routes, and thus by people on the move. It is argued here that various kinds of movement were often a significant factor contributing to the meaning and function of the images. The intention of this book is to explore and unveil such contexts, which may prove somewhat elusive if we focus our analyses exclusively on the representational aspects of rock art. Such a type of integration of rock art, landscape and motion is the major aim of this work, and has hopefully been achieved by merging perspectives and concepts derived from Egyptology, Anthropology, and other social sciences.

Self-taught and influential in the advocacy of photography as an art form, Mayne was passionate about representing human life as he found it – most famously, in his street images of low-income communities in West London. Capturing children at play and the emerging phenomenon of the ‘swaggering teenager’, Mayne discovered in the young a defining energy that perfectly embodied both the scars and the vitality of post-war Britain.The exhibition of more than sixty photographs brings together a selection of Mayne’s iconic London scenes with later, almost entirely unknown intimate portraitsof his own family in rural Dorset. While these two strands have a different tenor, they share Mayne’s radical empathy and his evident desire to create images with lasting impact, sensitivity and artistic integrity. With those pictured from the 1950s now in their senior years and a new generation of young people faced with myriad crises, Mayne’s images of childhood, adolescence and family feel especially poignant and timely.The catalogue is richly illustrated and includes an original essay by Jane Alison and an interview with Mayne’s daughter, Katkin Tremayne.

“Saab 105" is a definitive and comprehensive book that delves into the world of the Saab 105 aircraft, providing readers with a wealth of information and captivating visuals. Written in English, this book stands out as the ultimate resource for enthusiasts, historians, and aviation aficionados seeking an in-depth understanding of the iconic Saab 105.One of the book's standout features is its extensive collection of photographs, showcasing the aircraft in various operational settings. Many of these captivating images have never been seen before, offering readers a rare glimpse into the rich history of the Saab 105. From action shots to candid moments, the photographs provide a vivid visual narrative, bringing the aircraft's story to life.The book also includes detailed walkaround photographs of preserved Saab 105 aircraft. These close-up shots offer enthusiasts a unique opportunity to explore the intricate details and features of the aircraft, further enhancing their understanding and appreciation.Also the book incorporates illustrations sourced from contemporary manualsFurthermore, "Saab 105" features original colour artwork. These vibrant illustrations capture the Saab 105 in all its glory, showcasing its sleek lines, distinctive features, and livery variations. The artwork serves as both a visual treat and a reference, allowing readers to visualize the aircraft in different contexts.For model enthusiasts and collectors, the book includes scale plans in 1/72 scale.

Claims that students are too sensitive are familiar on and around college campuses. The ideas of cancel culture, safe spaces, and political correctness are used to shut down discussion and prevent students from being recognized as stakeholders in higher education and as advocates for their own interests. Further, universities can claim that student activists threaten academic freedom. In Sensitive Rhetorics, Kendall Gerdes puts these claims and common beliefs into conversation with rhetorical theory to argue that critiques of sensitivity reveal a deep societal discomfort with the idea that language is a form of action. Gerdes poses important questions: What kind of harm can language and representation actually do, and how? What responsibilities do college and university teachers bear toward their students? Sensitive Rhetorics explores the answers by surfacing submerged assumptions about higher education, the role of instructors and faculty, and the needs of an increasingly diverse student body.

Study after study has shown that Scandinavia is the most trusting region in the world. Danes in particular trust other people and organizations—including strangers, businesses, governments, law enforcement, and media—more than the citizens of any other country. And countries with deep pools of social trust are populated by individuals who cooperate with each other in ways that allow public and private institutions to function more efficiently and cheaply. Is the Nordic countries’ high level of social trust just as important for creating prosperity and happiness within a population as other, more tangible economic factors? If so, where does this stock of social trust in Scandinavia come from? Does it help to explain the development of the universal welfare states and their surprisingly high business competitiveness? Can other nations learn from the region and apply that knowledge to settings where social trust levels are low or in danger of erosion? Social trust has proven economic value, and Gert Tinggaard Svendsen and Christian Bjørnskov warn that its benefits should never be taken for granted. Trust can dissolve and vanish quickly, and once gone, it is very difficult to rebuild. Governments and corporations are gradually increasing their control over people’s public and private lives, with predictably worrying results. When people feel taken advantage of or lied to, public confidence evaporates. Since strong social cohesion drives long-term prosperity, Nordic exceptionalism on maintaining and restoring trust offers valuable lessons.

South Sea Island. The Geography of Pleasure is a literary history of European, Russian and American travelogues, films, paintings, philosophical treatises, all fascinated by the Polynesian islands. Our ideas of nature, growth and sustainability are currently being challenged by climate change and sea level rise, with major identity and security policy implications that are particularly evident in the Pacific, but will also have consequences for the entire planet. The book is a contribution to a new global literary history and provides a historical in-depth perspective for highly topical discussions in interdisciplinary areas such as Pacific Studies, Island Studies, Ocean Studies and Planetary Studies.The Danish version of the book was nominated for 'Book of the year' in one of Denmark's most prominent newspaper and in another described as "epoch-making literary history" and shortlisted among the 5 non-fiction books in 2018, "which has made a difference". In addition, it was awarded the prestigious 'Georg Brande's Award' because it is "pioneering" and as the committee wrote: "Sydhavsøen [South Sea Island] is a book that conveys fascinating knowledge and theory in an exemplary way".

Staging Buenos Aires centers theater as a source of historical inquiry to understand how nonelites experienced and shaped a city undergoing dramatic transformations. Commercial theater constituted the core of the city’s public sphere, one in which middle-class playwrights and audiences assumed the leading role. Audiences and critics often disagreed about what was “acceptable” entertainment. Playwrights used theater to promote their own ideas of sociopolitical change, creating a space for working- and middle-class audiences to identify and push back against imposed regulations and attitudes. Cultural production on the city’s stages revealed fissures and social anxieties about the expansion of the political system and of the public sphere as women became increasingly visible in urban spaces. At the same time, theater also gave structure and meaning to these rapid changes, providing the space for the city’s playwrights and complex publics to play a key role in identifying, processing, and shaping the transforming nation. Plays helped audience members work through dramatic shifts in societal norms as urbanization and industrialization resulted in the visible decline of patriarchal social structures, made most visible in the urban sphere.

1943, on a farm in Arkansas, two brothers, Eddy and JohnnyCollins, receive their mobilization letter: one will disembark atOmaha Beach while the other will have to climb a vertiginouscliff held by the enemy. Will the two brothers end upto regain ?

Sword, commonly known as Sword Beach, was the code name given to one of the five main landing areas along the Normandy coast during the initial assault phase, Operation Neptune, of Operation Overlord; the Allied invasion of German-occupied France that commenced on 6 June 1944. Stretching 8 km from Ouistreham to Saint-Aubin-sur-Mer, the beach was the eastern most landing site of the invasion. Sword was divided into several sectors, and each sector divided into beaches; thus the British 3rd Infantry Division, assigned to land on Sword, assaulted a two mile (3 km) stretch of Sword codenamed Queen Sector - Queen Red, White and Green beaches. Sword is around 15 km from Caen, the ultimate goal of the 3rd Infantry Division. The initial landings were achieved with low casualties but the advance from the beach was met with traffic congestion, heavily defended areas behind the beachhead and was met by the only armoured counterattack of the day, mounted by the 21st Panzer Division, that halted further progress towards Caen.At 00:16, on June, 1944, 1944, Major John Howard landed with his company just a few yards from Bénouville bridge. In the early hours of D-Day, his British paratroopers were the first Allies to set foot on French soil. They were the vanguard of the 6th Airborne Division whose mission was to secure the east flank of the landing zone, a few hours before the amphibious operation. At dawn, the British 3rd Division, backed by commando units, including Commandant Kieffer's 177 French troops, landed on Sword Beach. At 13:00 hours, Lord Lovat's men joined forces with the paratroopers at Bénouville, forging a vital link between the liberators from the skies and those from the seas.